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Car Crash Takes a Heavy Toll



---- By Wadud Khan

DEMANDING  ‘safety roads’ has become a common expectation in Bangladesh for all walks of life irrespective of caste, creed, religion and political parties. Each year innumerable innocent people are falling a great victim to car crash. No measure is still looking effective to prevent such devastating incidents. No light of hope is still vivid in the gloomy sky of Bangladesh regrading road accidents.

There are many reasons to cause road accidents. Reckless driving is one of the most fatal causes of it. Narrow roads, disobeying traffic rules, lack of proper training for driving, unnecessary overtaking tendency, mismanagement in highways are also responsible for car crashes. Some motor-bikers look desperate while driving in the busy roads. 

If we closely imagine how much sufferings are brought about by road accidents, we cannot but shed our tears silently. Many people have become crippled, many wives have become widows, many innocent kids have become orphans, many parents have lost their only child and become hopeless due to road accidents. Man must die today or tomorrow. There is no way to escape death. But as a human being, everybody wants to die a natural death. No unnatural death is acceptable to anybody. But who cares?

There are some laws regarding road accidents but no drivers, passersby is willing to follow the existing laws. Some experts and researchers like Illias Kanchon propose many ideas to decrease road accidents and lessen the loss of it. The general people are quite ignorant of traffic rules. That’s why they do not abide by the rules. Even in many cases, the helpers of a car often drive in absence of the main drivers.
Some days ago, in August, 2018, many school children throughout the country have come out of their classrooms to protest against road accidents because their two classmates have been killed by a careless driver. The guardians, university students also support their non-violent movement. The school kids stand on the highways and check many cars and find out that most of the cars have no fitness, no road permission, no driving licenses. Even the Members of Parliament, govt officials, actors or actresses, intellectuals, journalists do not abide by the traffic rules. The whole nation becomes speechless to see the terrific situation of the traffic. In spite of having a lot of over bridge in Dhaka or other mega city, the common people are very reluctant to use that to avoid road crashes.     

A new law has recently been passed to lessen the road accidents and to ensure the safety roads. This law will also control the unlawful activities of the drivers and the car-owners. It will ensure severe punishment for those who intentionally cause road accidents. Though the law is now active, road accidents still continue. Even yesterday, on 25 August, 2018, at least 25 people have been killed and many were severely injured due to several road crashes all over the country. No laws can save us if all kinds of people do not become aware of the severe sufferings of road accidents. We all are waiting for a better Bangladesh having safety roads.

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āĻāϏো, āχংāϰেāϜি āĻļিāĻ–ি | āĻĢ্āϰি āĻ•্āϞাāϏ āĻ…āύ āχংāϞিāĻļ

āĻāϏো, āχংāϰেāϜি āĻļিāĻ–ি

āφāϜāĻ•ে āϚāϞো āφāĻŽāϰা āĻ•িāĻ›ু āĻ—ুāϰুāϤ্āĻŦāĻĒূāϰ্āĻŖ āĻĒ্āϰāĻŦাāĻĻ āĻŦাāĻ•্āϝ āĻļিāĻ–ে āĻĢেāϞি---

1) āĻĸিāϞāϟি āĻŽাāϰāϞে āĻĒাāϟāĻ•েāϞāϟি āĻ–েāϤে āĻšāϝ় /
āϝেāĻŽāύ āĻŦুāύো āĻ“āϞ, āϤেāĻŽāύ āĻŦাāϘা āϤেঁāϤুāϞ /
āϝেāĻŽāύ āĻ•ুāĻ•ুāϰ, āϤেāĻŽāύ āĻŽুāĻ—ুāĻĄ় ।
⇨ Tit for tat.
2) āϤেāϞা āĻŽাāĻĨাāϝ় āϤেāϞ āĻĻেāϝ়া।
⇨To carry coal to Newcastle.
3) āϤিāϞāĻ•ে āϤাāϞ āĻ•āϰা।
⇨ To make a mountain out of a mole hill.
4) āĻĻāĻļেāϰ āϞাāĻ ি āĻāĻ•েāϰ āĻŦোāĻা /
āϰাāχ āĻ•ুঁāĻĄ়িāϝ়ে āĻŦেāϞ।
⇨ Many a pickle ( OR, little) makes a mickle.
5) āĻĻাঁāϤ āĻĨাāĻ•āϤে āĻĻাঁāϤেāϰ āĻŽāϰ্āϝাāĻĻা āĻŦোāĻা āϝাāϝ় āύা।
⇨ Blessings are not valued till they are gone.
6) āĻĻুāώ্āϟ āĻ—āϰুāϰ āϚেāϝ়ে āĻļূāύ্āϝ āĻ—োāϝ়াāϞ āĻ­াāϞো।
⇨ Better an empty house than a bad (OR, an ill) tenant.
7) āϧāϰি āĻŽাāĻ› āύা āĻ›ুঁāχ āĻĒাāύি।
⇨ A cat loves fish but is loath to wet her feet.
8) āύাāχ āĻŽাāĻŽাāϰ āϚেāϝ়ে āĻ•াāύা āĻŽাāĻŽা āĻ­াāϞো।
⇨ Something is better than nothing.
9) āϏāĻŦুāϰে āĻŽেāĻ“āϝ়া āĻĢāϞে।
⇨ Patience is bitter, but its fruit is sweet.
10) āύাāϚāϤে āύা āϜাāύāϞে āωāĻ াāύ āĻŦাঁāĻ•া।
⇨ A bad workman quarrels with his tools.
11) āύাāύা āĻŽুāύিāϰ āύাāύা āĻŽāϤ।
⇨ Many men, many minds.
12) āύিāϜেāϰ āύাāĻ• āĻ•েāϟে āĻĒāϰেāϰ āϝাāϤ্āϰা āĻ­āĻ™্āĻ— āĻ•āϰা।
⇨ To cut off one’s nose to spite one’s face.
13) āĻĒāϰেāϰ āĻŽāύ্āĻĻ āĻ•āϰāϤে āĻ—েāϞে āύিāϜেāϰ āĻŽāύ্āĻĻ āφāĻ—ে āĻĢāϞে।
⇨ Harm hatch, harm catch.
14) āĻĒাāύāύা āϤাāχ āĻ–াāύāύা / āφāĻ™্āĻ—ুāϰ āĻĢāϞ āϟāĻ•।
⇨The grapes are sour.
15) āĻĒাāĻĒেāϰ āϧāύ āĻĒ্āϰাāϝ়āĻļ্āϚিāϤ্āϤে āϝাāϝ়।
⇨ Ill got ill spent.
16) āĻĒেāϟে āĻ–েāϞে āĻĒিāĻ ে āϏāϝ়।
⇨ Give me roast meat and beat me with the spit.
17) āĻŦিāύা āĻŽেāϘে āĻŦāϜ্āϰāĻĒাāϤ।
⇨ A bolt from the blue.
18) āĻŦāϏāϤে āĻĒেāϞে āĻļুāϤে āϚাāϝ়।
⇨ Give him an inch, and he will take an ell.
19) āĻŦāϜ্āϰ āφঁāϟুāύি āĻĢāϏ্āĻ•া āĻ—িāϰো।
⇨ The more laws, the more offenders.
20) āĻŦাāĻŽুāύ āĻ—েāϞো āϘāϰ āϤো āϞাāĻ™্āĻ—āϞ āϤুāϞে āϧāϰ।
⇨When the cat is away, the mice will play.

(āϚāϞāĻŦে....)
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Kurbani requires sacrifice from heart



 Facebook Live Telecast with the Cow

Eid-ul-Azha, one of the biggest Muslim festivals, is knocking at the door, just three more days away. Most of the economically solvent Muslims are buying their sacrificial animals, especially cows, buffalos, goats. The richest persons of the country are trying to buy exceptional animals like camels with a heavy amount of money. 

Actually, Kurbani is a Arabic word which basically means sacrifice from the core of one’s heart in the name of Almighty Allah. But unfortunately, nowadays we come to see that many of us are trying to draw others’ attention regarding their purchased animals. 

Showing others-I am this, I am that– has become our main motto. Ikhlas is another Arabic term which basically means performing any good deeds should be for the satisfaction of Allah Tala and his messenger Hazrat Muhammad (pbuh), is totally absent from us.

If we buy our sacrificial animals in order to show our social status to others, or if our target becomes to have the tasty meat of the slaughtered animals, our sacrifices will neither be holly nor be acceptable to Allah. In that case, we will get no reword from Allah Subhanahu Tala. 

The flesh or blood of the slaughtered animals never goes to Allah, only the sacred will of the Muslims goes to Him. Undoubtedly, Allah Jalla Shanhu never expects anything from His slaves except Ikhlas, He just observes His slaves’s sacrifices from the core of heart for Him. Among us who have decided to sacrifice animals, should look at our hearts closely. Why are we sacrificing? Is it to make the common people happy or to get compliments from others? If so, our sacrifices will bring nothing from our Kind Creator. But, if we sacrifice our animals for the sole satisfaction of our Creator, we will get uncountable, unbelievable rewards from Him after death.   

Islamic scholars and researchers always advise ordinary Muslims to be loyal to Allah unconditionally. Uploading pictures of the sacrificial animals on the social networking sites like Facebook, Twitter, WhatsApp, Instagram or taking selfies with cows, buffalos, goats completely ruin our sincerity, integrity, honesty and holly will.

Wadud Khan 
Lecturer, English 
Sadarpur Govt  College 
khanwadud2@gmail.com   




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Dhaka Attack certainly a quality movie

A scene from Dhaka Attack

Reviewed by Wadud Khan

Finally, I have enjoyed full length Bangla action thriller movie entitled Dhaka Attack written by Sunny Sanwar and directed by Dipankar Dipon.

The theme, plot, setting, diction, acting- all are outstanding. This movie proves that Bangladeshi film makers can make special movies if they get proper logistic supports.

Especially, the protagonist, Arifin Shuvoo's acting and his exceptional role charm us a lot. The presence of some veteran actors like Alamgir, Afzal Hossain, Shatabdi Wadud  widens this movie's appeal to all. Nonetheless, Taskeen Rahman has proved his worth. He deserves to be a promising villain in near future. Mahiya Mahi's role as a journalist is also praiseworthy. Both ABM Sumon and Quazi Nawshaba Ahmed have acted better than before.

Bangladeshi film-viewers are nowadays not going to the cinemas due to many logical reasons. The environment of the cinema halls is not family friendly. Dust, waste, trash, rubbish, mosquitoes often disturb the viewers in many local cinemas.

Neither the educated nor the uneducated is enjoying Bangla movies these days. The film makers, producers, actors, actresses feel utter helpless when they see their films are becoming a super flop, a time-wasting effort.

The film makers condemn the viewers. On the other hand, the viewers condemn the film makers. If the viewers don't respond to Bangladeshi movies, how can the directors dare make a big-budget movies? If the Bangladeshi movies don't ensure qualities like Bollywood or Hollywood or even like Tollywood, why will the viewers spend money or time on watching Bangla movies?

In a nutshell, we may conclude that the film like Dhaka Attack may bring the movie-viewers back to the cinemas and Bangladeshi films may get back its lost reputation, appeal, acceptability to all classes of movie-viewers.

Wadud Khan 
Lecturer, English 
Sadarpur Govt College, Faridpur 
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āĻāĻ•াāϞেāϰ āϏেāĻ•েāϞে āĻļিāĻ•্āώāĻ• : āĻĒ্āϰāϤি āĻĒāĻĻে āĻŦāĻž্āϚāύা | āĻ“ā§ŸাāĻĻুāĻĻ āĻ–াāύ




āϏāĻŽ্āĻĒ্āϰāϤি (ā§Ļā§Ē āϜুāύ ⧍ā§Ļā§§ā§Ž āĻ–্āϰিāώ্āϟাāĻŦ্āĻĻ) āϜāύāĻĒ্āϰāĻļাāϏāύ āĻŽāύ্āϤ্āϰāĻŖাāϞ⧟ āĻĨেāĻ•ে "āϏāϰāĻ•াāϰি āϟেāϞিāĻĢোāύ, āϏেāϞুāϞাāϰ, āĻĢ্āϝাāĻ•্āϏ āĻ“ āχāύ্āϟাāϰāύেāϟ āύীāϤিāĻŽাāϞা, ⧍ā§Ļā§§ā§Ž" āĻļিāϰোāύাāĻŽে āĻāĻ•āϟি āϏāĻŽā§ŸোāĻĒāϝোāĻ—ী āύীāϤিāĻŽাāϞা āϜাāϰি āĻ•āϰা āĻšā§ŸেāĻ›ে। āϏāĻ™্āĻ—āϤ āĻ•াāϰāĻŖেāχ āĻĒ্āϰāϜাāϤāύ্āϤ্āϰেāϰ āĻ•āϰ্āĻŽāϚাāϰীāϰা (āĻŦāϰ্āϤāĻŽাāύে 'āĻ•āϰ্āĻŽāĻ•āϰ্āϤা' āĻļāĻŦ্āĻĻāϟি āφāϰ āĻŦ্āϝāĻŦāĻšাāϰ āĻ•āϰা āĻšāϚ্āĻ›ে āύা। āĻāĻ•াāϰāĻŖে āĻ•āϰ্āĻŽāĻ•āϰ্āϤাāϰ āϏ্āĻĨāϞে āχāϚ্āĻ›ে āĻ•āϰেāχ 'āĻ•āϰ্āĻŽāϚাāϰী' āϞেāĻ–া āĻšā§ŸেāĻ›ে।) āĻāϤে āĻ–ুāĻļি āĻšā§ŸেāĻ›েāύ। āĻ•েāύāύা, āĻ—্āϰেāĻĄ-ā§§ āĻĨেāĻ•ে āĻļুāϰু āĻ•āϰে āĻ—্āϰেāĻĄ-⧝ āĻĒāϰ্āϝāύ্āϤ āϏāϰāĻ•াāϰি āĻ•āϰ্āĻŽāϚাāϰীāϰাāϰা āĻŽাāϏিāĻ• "āĻŽোāĻŦাāχāϞ āĻ“ āχāύ্āϟাāϰāύেāϟ āĻ­াāϤা" āĻĒাāĻŦেāύ। āĻāϤে āĻ…āύ্āϤāϰ্āĻ­ুāĻ•্āϤ āĻšā§ŸেāĻ›েāύ āĻŦিāĻ­িāύ্āύ āĻĻāĻĒ্āϤāϰ, āĻ…āϧিāĻĻāĻĒ্āϤāϰ, āĻĒāϰিāĻĻāĻĒ্āϤāϰেāϰ āĻĒ্āϰāϧাāύāĻ—āĻŖ। āϏāĻŦāχ āĻļুāĻ­ āωāĻĻ্āϝোāĻ—। āϏāϰāĻ•াāϰ āύিঃāϏāύ্āĻĻেāĻšে āĻĒ্āϰāĻļংāϏাāϰ āĻĻাāĻŦিāĻĻাāϰ।
āĻŦāϰাāĻŦāϰেāϰ āĻŽāϤো āĻāχ āύীāϤিāĻŽাāϞাāϤেāĻ“ āωāĻĒেāĻ•্āώিāϤ āĻĨেāĻ•ে āĻ—েāĻ›েāύ āĻļিāĻ•্āώা āĻ•্āϝাāĻĄাāϰেāϰ āĻ•āϰ্āĻŽāϚাāϰীāĻŦৃāύ্āĻĻ। āĻ…āϧ্āϝāĻ•্āώ, āωāĻĒাāϧ্āϝāĻ•্āώ  āĻ“ āĻ…āϧ্āϝাāĻĒāĻ• āĻ›া⧜া āĻļিāĻ•্āώা āĻ•্āϝাāĻĄাāϰেāϰ āφāϰ āĻ•োāύো āĻ•āϰ্āĻŽāϚাāϰী āĻāχ āϏুāĻŦিāϧা āĻĒাāĻŦেāύ āύা। āĻ•াāϰāĻŖ, āϤাঁāϰা āĻĒ্āϰāϤিāώ্āĻ াāύেāϰ āĻĒ্āϰāϧাāύ āύāύ। āĻ…āĻĨāϚ, āĻ…āύ্āϝাāύ্āϝ āĻ•্āϝাāĻĄাāϰেāϰ āĻ•্āώেāϤ্āϰে āĻāχ āϏুāĻŦিāϧা āĻĒাāϚ্āĻ›েāύ āĻ—্āϰেāĻĄ-ā§­ āĻĨেāĻ•ে āĻ—্āϰেāĻĄ-⧝ āĻāϰ āĻ•āϰ্āĻŽāϚাāϰীāĻ—āĻŖ। āϝেāĻŽāύ: āωāĻĒāϜেāϞা āĻĒāϰ্āϝা⧟েāϰ āϏāĻšāĻ•াāϰী āĻ•āĻŽিāĻļāύাāϰ (āĻ­ূāĻŽি) āĻāχ āϏুāĻŦিāϧা āĻĒাāϚ্āĻ›েāύ, āĻ•েāύāύা āϤাঁāϰ āĻāĻ•āϟি āĻ…āĻĢিāϏ āϰ⧟েāĻ›ে āϝāĻĻিāĻ“ āϤাঁāϰ āĻŦেāϤāύ āĻ—্āϰেāĻĄ-⧝।
āϝেāĻšেāϤু āĻ•্āϝাāĻĄাāϰ āĻļিāĻ•্āώāĻ• āĻ•āϰ্āĻŽāϚাāϰীāĻĻেāϰ āύিāϜāϏ্āĻŦ āĻ•োāύো āĻ…āĻĢিāϏ āύেāχ, āϤাāχ āϤাঁāϰা āĻ—্āϰেāĻĄ-ā§Ģ āĻ•িংāĻŦা āĻ—্āϰেāĻĄ-ā§Ŧ āĻāϰ āĻ•āϰ্āĻŽāϚাāϰী āĻšā§ŸেāĻ“ "āĻŽোāĻŦাāχāϞ āĻ“ āχāύ্āϟাāϰāύেāϟ āĻ­াāϤা" āĻĒ্āϰাāĻĒ্āϝ āĻšāĻŦেāύ  āύা। āĻāĻ•āϟি āϏāϰāĻ•াāϰি āĻ•āϞেāϜে ⧍ā§Ļā§ĻāϜāύ āĻļিāĻ•্āώāĻ• āĻ•āϰ্āĻŽāϚাāϰী (āĻ•্āϝাāĻĄাāϰ āĻļিāĻ•্āώāĻ•) āĻ•āϰ্āĻŽāϰāϤ āĻĨাāĻ•āϞেāĻ“ āĻ…āĻĢিāϏ āĻĒāϰিāϚাāϞāύা āĻ•āϰে āĻĨাāĻ•েāύ āĻŽাāϤ্āϰ āĻĻুāϜāύ- āĻ…āϧ্āϝāĻ•্āώ āĻ“ āωāĻĒাāϧ্āϝāĻ•্āώ। āĻ•াāϜেāχ āĻāχ āĻĻুāϜāύ āĻ•āϰ্āĻŽāϚাāϰী āĻ“ āĻĒāĻĻāĻŽāϰ্āϝাāĻĻাāϰ āĻ•াāϰāĻŖে āĻ…āϧ্āϝাāĻĒāĻ•āĻĻেāϰ āωāĻĒāϰিāωāĻ•্āϤ āϏুāĻŦিāϧা āĻĒ্āϰāĻĻাāύāχ āĻ•āϰ্āϤৃāĻĒāĻ•্āώেāϰ āύিāĻ•āϟ āϝāĻĨেāώ্āϟ āĻŽāύে āĻšā§ŸেāĻ›ে।
āĻļিāĻ•্āώāĻ•āĻĻেāϰ āĻŽাāϞ্āϟিāĻŽিāĻĄি⧟া āĻ•্āϞাāϏāϰুāĻŽে āĻĒাāĻ āĻĻাāύে āĻĻāĻ•্āώ āĻ•āϰাāϰ āĻŽাāύāϏে āϏāϰāĻ•াāϰ āφāχāϏিāϟি āĻ•োāϰ্āϏেāϰ āĻĒেāĻ›āύে  āχāϤোāĻŽāϧ্āϝে āĻ•োāϟি āĻ•োāϟি āϟাāĻ•া āĻ–āϰāϚ āĻ•āϰে āĻĢেāϞেāĻ›ে। āĻ…āĻĨāϚ, āĻļিāĻ•্āώāĻ•āĻĻেāϰ āĻāĻ•āϟি āĻ•āϰে āφāϧুāύিāĻ• āϞ্āϝাāĻĒāϟāĻĒ āĻ•িāύে āĻĻিāϤে āĻĒাāϰেāύি। āĻļিāĻ•্āώāĻ•āĻĻেāϰ āϞ্āϝাāĻĒāϟāĻĒ āύেāχ, āϟ্āϝাāĻŦāϞেāϟ āĻĒিāϏি āύেāχ, āĻāĻŽāύāĻ•ি āĻ…āύেāĻ•েāϰ āĻŽোāĻĄেāĻŽ āĻ•িংāĻŦা āϏ্āĻŽাāϰ্āϟ āĻĢোāύāĻ“ āύেāχ। āĻ…āĻĨāϚ, āĻ•োāύāĻ“ āĻ•োāύāĻ“ āĻļিāĻ•্āώāĻ• āϤিāύ-āϚাāϰāĻŦাāϰ āφāχāϏিāϟি āϟ্āϰেāύিং āϏāĻŽ্āĻĒāύ্āύ āĻ•āϰে āĻĢেāϞেāĻ›েāύ।
āĻļিāĻ•্āώāĻ•āĻĻেāϰ āĻŽাāϞ্āϟিāĻŽিāĻĄি⧟া āĻ•্āϞাāϏāϰুāĻŽে āĻĒাāĻ āĻĻাāύে āĻĻāĻ•্āώ āĻ•āϰাāϰ āĻ…āĻ­িāĻĒ্āϰা⧟ে āĻĒ্āϰা⧟āĻļ āĻŦāϞা āĻšā§Ÿে āĻĨাāĻ•ে, "āĻāĻ•āϜāύ āĻļিāĻ•্āώāĻ• āĻšāĻŦেāύ āĻĒুāϰোāĻĒুāϰি āĻĄিāϜিāϟাāϞ। āϤিāύি āĻ—ুāĻ—āϞে āϏাāϰ্āϚ āĻĻি⧟ে āĻŦেāϰ āĻ•āϰে āφāύāĻŦেāύ āĻšাāϞāύাāĻ—াāĻĻ āĻ•িāύ্āϤু āϏāĻ িāĻ• āĻ“ āύিāϰ্āĻ­ুāϞ āϏāĻ•āϞ āϤāĻĨ্āϝ। āϤিāύি āχāωāϟিāωāĻŦে āϏাāϰ্āϚ āĻĻি⧟ে āĻĄাāωāύāϞোāĻĄ āĻ•āϰে āύিāĻŦেāύ āϤাāϰ āĻĒ্āϰ⧟োāϜāύী⧟ āĻ­িāĻĄিāĻ“ āĻŽ্āϝাāϟেāϰি⧟াāϞāϏ। āĻ­িāĻĄিāĻ“ āĻāĻĄিāϟিং, āĻ•াāϟিং, āĻĒেāϏ্āϟিং āĻ–ুāĻŦ āϏুāύ্āĻĻāϰ āĻ•āϰে āĻļিāĻ–ে āύিāĻŦেāύ। āĻāĻ•āϜāύ āĻļিāĻ•্āώāĻ• āĻŽাāχāĻ•্āϰোāϏāĻĢāϟ āĻĒাāĻ“ā§Ÿাāϰ āĻĒ⧟েāύ্āϟে āĻšāĻŦেāύ āϏুāĻĻāĻ•্āώ। āĻ•্āϞাāϏāϰুāĻŽে āĻŦ⧜ো āĻŽāύিāϟāϰে āĻ•্āϞাāϏ āύিāϤে āĻĒাāϰāĻ™্āĻ—āĻŽ āĻšāĻŦেāύ āĻāĻ•āϜāύ āĻļিāĻ•্āώāĻ• āĻ•āϰ্āĻŽāϚাāϰী।"
āφāχāϏিāϟি āϟ্āϰেāύিং⧟েāϰ āĻ•āϞ্āϝাāĻŖে āĻ…āύেāĻ• āĻļিāĻ•্āώāĻ• āϝুāĻ—োāĻĒāϝোāĻ—ী āĻĄিāϜিāϟাāϞ āĻ•āύ্āϟেāύ্āϟ āϤৈāϰি āĻ•āϰে āχāϤোāĻŽāϧ্āϝে āϏা⧜াāĻ“ āĻĢেāϞেāĻ›েāύ। āĻ•িāύ্āϤু āĻ…āϤ্āϝāύ্āϤ āĻĒāϰিāϤাāĻĒেāϰ āĻŦিāώ⧟ āĻšāϞো- āϏāϰāĻ•াāϰ āĻļিāĻ•্āώāĻ•āĻĻেāϰ "āĻŽোāĻŦাāχāϞ āĻ“ āχāύ্āϟাāϰāύেāϟ āĻ­াāϤা" āĻĨেāĻ•ে āωāĻĒāϰিāωāĻ•্āϤ āύীāϤিāĻŽাāϞা⧟ āĻŦāĻž্āϚিāϤ āĻ•āϰেāĻ›ে।
āφāĻŽāϰা āϝāĻĻি āĻāĻ•āϟু āĻ—āĻ­ীāϰāĻ­াāĻŦে āĻ…āύুāϧাāĻŦāύ āĻ•āϰি, āϤাāĻšāϞে āĻĻেāĻ–āϤে āĻĒাāĻŦো- āĻĨাāύাāϰ āĻāĻ•āϜāύ āĻ­াāϰāĻĒ্āϰাāĻĒ্āϤ āĻ•āϰ্āĻŽāĻ•āϰ্āϤাāϰ (āĻ“āϏি) āϚে⧟ে āĻāĻ•āϜāύ āĻļিāĻ•্āώāĻ•েāϰ āĻŽোāĻŦাāχāϞ āĻ“ āχāύ্āϟাāϰāύেāϟ āĻŦ্āϝāĻŦāĻšাāϰ āĻ•āĻŽ āĻĒ্āϰ⧟োāϜāύী⧟ āύ⧟। āĻāĻ•āϜāύ āĻļিāĻ•্āώāĻ•āĻ•ে āϝোāĻ—াāϝোāĻ— āϰāĻ•্āώা āĻ•āϰāϤে āĻļিāĻ•্āώাāϰ্āĻĨী āĻ“ āĻ…āĻ­িāĻ­াāĻŦāĻ•āĻĻেāϰ āϏাāĻĨে।
āĻāĻ•āϜāύ āĻļিāĻ•্āώāĻ• āĻ•েāύ āύিāϜ āĻĒāĻ•েāϟেāϰ āϟাāĻ•া āĻ–āϰāϚ āĻ•āϰে āĻ—ুāĻ—āϞে āĻĸুāĻ•āĻŦেāύ, āχāωāϟিāωāĻŦে āϏাঁāϤāϰাāĻŦেāύ, āϰাāϤ āϜেāĻ—ে āĻĄিāϜিāϟাāϞ āĻ•āύ্āϟেāύ্āϟ āϤৈāϰি āĻ•āϰāĻŦেāύ, āϝেāĻ–াāύে āϏেāχ āĻļিāĻ•্āώāĻ•āϟিāĻ•ে āĻĻে⧟া āĻšā§Ÿāύি āĻāĻ•āϟি āϞ্āϝাāĻĒāϟāĻĒ, āϟ্āϝাāĻŦāϞেāϟ āĻ•িংāĻŦা āĻ•āĻŽ্āĻĒিāωāϟাāϰ? āφāĻŦাāϰ āĻļিāĻ•্āώāĻ•āĻĻেāϰ āĻŦা⧜āϤি āĻ‰ā§ŽāϏাāĻš āĻĻেāĻ“ā§Ÿাāϰ āϜāύ্āϝ āĻĻে⧟া āĻšāϚ্āĻ›ে āύা "āĻŽোāĻŦাāχāϞ āĻ“ āχāύ্āϟাāϰāύেāϟ āĻ­াāϤা"।
āĻļিāĻ•্āώāĻ•āĻĻেāϰ āĻ•āϰ্āĻŽ āĻĒāϰিāĻŦেāĻļেāϰ āĻŦৈāĻļিāώ্āϟ্āϝāχ āĻāĻŽāύ āϝে, āϏāĻŦাāχ āĻāĻ•āχ āϏাāĻĨে āĻ…āĻĢিāϏ āĻĒ্āϰāϧাāύ āĻšāĻŦেāύ āύা। āϏāĻŦাāϰ āĻ…āĻĢিāϏ āĻĨাāĻ•া āϜāϰুāϰিāĻ“ āύ⧟। āĻāϰ āĻŽাāύে āύ⧟ āϝে āϤাঁāĻĻেāϰ āĻŽোāĻŦাāχāϞ āĻ“ āχāύ্āϟাāϰāύেāϟ āϚাāϞাāύোāϰ āĻĒ্āϰ⧟োāϜāύ āύেāχ।
āφāĻļাāĻ•āϰি, āφāĻŽাāϰ āϞেāĻ–াāϟি āϏংāĻļ্āϞিāώ্āϟ āĻ•āϰ্āϤৃāĻĒāĻ•্āώেāϰ āύāϜāϰে āφāϏāĻŦে āĻāĻŦং āϤাঁāϰা āĻĻ্āϰুāϤāϤāĻŽ āϏāĻŽā§Ÿে āύীāϤিāĻŽাāϞাāϟিāϰ āϏংāĻļোāϧāύী āĻāύে āϏāĻ•āϞ āĻļিāĻ•্āώāĻ• āĻ•āϰ্āĻŽāϚাāϰীāĻĻেāϰ "āĻŽোāĻŦাāχāϞ āĻ“ āχāύ্āϟাāϰāύেāϟ āĻ­াāϤা" āĻĒ্āϰāĻĻাāύ āĻ•āϰা āĻšāĻŦে।
āĻ­ুāϞে āĻ—েāϞে āϚāϞāĻŦে āύা, āĻāϟি āĻļিāĻ•্āώāĻ•āĻĻেāϰ āĻĒ্āϰāϤি āĻ•োāύো āĻĻ⧟া āύ⧟; āĻŦāϰং āϤাঁāĻĻেāϰ āύ্āϝা⧟āϏāĻ™্āĻ—āϤ āĻ…āϧিāĻ•াāϰ।
āφāϰ āĻ•āϤāĻ•াāϞ āĻšাāϜাāϰো āĻŦāĻž্āϚāύাāϰ āĻļিāĻ•াāϰ āĻāĻ•াāϞেāϰ āĻļিāĻ•্āώāĻ•āϰা āĻĨেāĻ•ে āϝাāĻŦেāύ āϏেāĻ•েāϞে?

āĻ“ā§ŸাāĻĻুāĻĻ āĻ–াāύ
āĻĒ্āϰāĻ­াāώāĻ•, āχংāϰেāϜি āĻŦিāĻ­াāĻ—
āϏāĻĻāϰāĻĒুāϰ āϏāϰāĻ•াāϰি āĻ•āϞেāϜ, āĻĢāϰিāĻĻāĻĒুāϰ 

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āφ āĻĒ্āϝাāϰাāĻ—্āϰাāĻĢ āĻ…āύ "āϰোāĻĄ āĻāĻ•্āϏিāĻĄেāύ্āϟ" | āĻ“ā§ŸাāĻĻুāĻĻ āĻ–াāύ

āϏ⧜āĻ• āĻĻুāϰ্āϘāϟাāϰ āĻ›āĻŦি

Road Accidents


At present  (āĻŦāϰ্āϤāĻŽাāύে), road accidents have become regular incidents (āĻĻৈāύāύ্āĻĻিāύ āϘāϟāύা) in all over the world (āϏাāϰা āĻĒৃāĻĨিāĻŦীāϤে), especially (āĻŦিāĻļেāώ āĻ•āϰে) in Bangladesh. It is increasing day by day  (āĻĻিāύে āĻĻিāύে āĻŦা⧜āĻ›ে). Thousands of people are dying every year due to road accident (āϏ⧜āĻ• āĻĻুāϰ্āϘāϟāύা⧟ āĻĒ্āϰāϤিāĻŦāĻ›āϰ āĻšাāϜাāϰ āĻšাāϜাāϰ āϞোāĻ• āĻŽাāϰা āϝাāϚ্āĻ›ে). Most of the road accidents take place (āϘāϟে) in the urban areas  ( āĻļāĻšāϰ āĻāϞাāĻ•া⧟) and in the highways (āĻŽāĻšাāϏ⧜āĻ•ে). Buses, trucks, rickshaws, baby-taxies etc mainly cause road accidents.The causes of road accidents are reckless driving  (āĻŦেāĻĒāϰো⧟া āĻ—া⧜ি āϚাāϞাāύো), brake failures of vehicles, over-taking of one vehicle by another, driving by unskilled (āĻ…āĻĻāĻ•্āώ) drivers. Another reason is violation of traffic rules ( āϟ্āϰাāĻĢিāĻ• āύি⧟āĻŽেāϰ āϞāĻ™্āϘ). Even the police cannot control     the traffic rule breakers (āĻĒুāϞিāĻļ āύি⧟āĻŽ āĻ­āĻ™্āĻ—āĻ•াāϰীāĻĻেāϰ āύি⧟āύ্āϤ্āϰāĻŖ āĻ•āϰāϤে āĻĒাāϰে āύা). They dash  (āϧাāĻ•্āĻ•া āĻĻে⧟) the small vehicles and cause accidents. Sometimes pedestrians (āĻĒāĻĨāϚাāϰীāϰা) are crashed (āĻĻুāϰ্āϘāϟāύাāϰ āĻļিāĻ•াāϰ āĻšā§Ÿ) under the wheels of heavy vehicles (āĻ­াāϰী āϝাāύāĻŦাāĻšāύেāϰ āϚাāĻ•াāϰ āύিāϚে). Sometimes the speedy vehicles fall into the roadside ditch  (āϰাāϏ্āϤাāϰ āĻĒাāĻļেāϰ āĻ–াāĻĻে) or into the river and thus kill the passengers  (āϝাāϤ্āϰীāϰা) on the spot (āϘāϟāύাāϏ্āĻĨāϞে). Many lives are nipped in the bud (āĻ…āĻ™্āĻ•ুāϰে āĻŦিāύāώ্āϟ āĻšā§Ÿ). Many a family loses the only earning member (āĻāĻ•āĻŽাāϤ্āϰ āωāĻĒাāϰ্āϜāύāĻ•্āώāĻŽ āĻŦ্āϝāĻ•্āϤি). Many people become crippled (āĻĒāĻ™্āĻ—ু). Road accidents make many children orphans (āĻāϤিāĻŽ). Many wives become windows (āĻŦিāϧāĻŦা). This problem can be solved by all out efforts  (āϏāϰ্āĻŦাাāϤ্āĻŽāĻ•) from both the authority and the general people. To do so, first our general people have to be made aware (āϏāϚেāϤāύ). The drivers have to be skilled and they also have to avoid their overtaking tendency (āĻ“āĻ­াāϰāϟেāĻ• āĻ•āϰাāϰ āĻĒ্āϰāĻŦāύāϤা). And the authority should be more strict (āφāϰāĻ“ āĻ•ā§œা āĻšāϤে āĻšāĻŦে) to enforce the existing laws (āĻŦিāĻĻ্āϝāĻŽাāύ āφāχāύ āĻĒ্āϰ⧟োāĻ—েāϰ āĻŦেāϞা⧟). However, this problem should be solved by taking necessary (āĻĒ্āϰ⧟োāϜāύী⧟) steps. Traffic rules should be imposed strictly (āϜোāϰাāϞোāĻ­াāĻŦে āĻĒ্āϰ⧟োāĻ— āĻ•āϰāϤে āĻšāĻŦে). Radio and television can play a vital role  (āϰেāĻĄিāĻ“, āϟেāϞিāĻ­িāĻļāύ āĻ—ুāϰুāϤ্āĻŦāĻĒূāϰ্āύ āĻ­ূāĻŽিāĻ•া āĻĒাāϞāύ āĻ•āϰāϤে āĻĒাāϰে) in this regard.
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āϞ্āϝাংāϏ্āϟāύ āĻšিāωāϜেāϰ ( Langston Hughes) āĻāĻ•āϟি āĻ…āϏাāϧাāϰāĻŖ āĻ•āĻŦিāϤাāϰ āϏāϰāϞ āĻĨিāĻŽ | āĻ“ā§ŸাāĻĻুāĻĻ āĻ–াāύ

āϜেāĻŽāϏ āĻŽাāϰ্āϏাāϰ āϞ্āϝাংāϏ্āϟāύ āĻšিāωāϜ
(āϜāύ্āĻŽ: ā§§ āĻĢেāĻŦ্āϰু⧟াāϰি, ⧧⧝ā§Ļ⧍, āĻŽৃāϤ্āϝু: ⧍⧍ āĻŽে, ⧧⧝ā§Ŧā§­)

Dreams

By Langston Hughes 

Hold fast to dreams
For if dreams die
Life is a broken-winged bird
That cannot fly.
Hold fast to dreams
For when dreams go
Life is a barren field
Frozen with snow.

āϏāϰāϞ āĻĨিāĻŽ 
By Wadud Khan
Using very easy and lucid language, Hughes tries to define what a true dream is. Dreams habitually come while we are fast asleep. But these dreams are not dreams at all. True dreams are those which actually take away our sleep. If a person desires to reach his vision and mission, he/she should have a dream. Dream is a mental energy, an inner inspiration. If a person doesn't have any dream, he/she is just like a wingless bird which cannot fly and cannot enjoy freedom. So, human beings should hold fast to dreams. Life becomes like a barren field if there is no true dream. A person loses his hope, ambition, future, career if he/she does not possess any dream. Dream is a will power, a mental strength which moves a person forward. 

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āĻ‡ā§ŸেāϟāϏেāϰ āĻāĻ•āϟি āĻŦিāĻ–্āϝাāϤ āĻ•āĻŦিāϤাāϰ āĻĨিāĻŽ | āĻ“ā§ŸাāĻĻুāĻĻ āĻ–াāύ

āωāχāϞি⧟াāĻŽ āĻŦাāϟāϞাāϰ āĻ‡ā§ŸেāϟāϏ

āĻŽূāϞ āĻ•āĻŦিāϤা: 

The Lake Isle of Innisfree
I will arise and go now, and go to Innisfree,
And a small cabin build there, of clay and wattles made;
Nine bean-rows will I have there, a hive for the honey-bee,
And live alone in the bee-loud glade.

And I shall have some peace there, for peace comes dropping slow,
Dropping from the veils of the morning to where the cricket sings;
There midnight’s all a glimmer, and noon a purple glow,
And evening full of the linnet’s wings.

I will arise and go now, for always night and day
I hear lake water lapping with low sounds by the shore;
While I stand on the roadway, or on the pavements grey,
I hear it in the deep heart’s core.

āĻ•āĻŦিāϤাāϰ āĻĨিāĻŽ: 

BY WADUD KHAN (khanwadud2@gmail.com)

W.B. Yeats, at the beginning of this peom, makes a decision to leave the busy city life. He wants to arise and go now. He has decided to make the break from modern society and go to a place he loves, Innisfree. He decides to build a cabin of clay and wattles to live in there. He imagines his garden with exactly nine rows for growing beans, and he wants to have a beehive for honey. He then will live alone in the bee-loud glade. Here Yeats wonderfully expresses that all he will hear is the loud drone of bees, not the drone of civilization. There will be no stress, no noise, no tiresome activities. Peace will come here slowly. From the time the morning dawns until the evening when the cricket sings, there will be unmixed pleasure.  
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ā§§ā§Ļā§Ļāϟি āχংāϰেāϜি āĻļāϰ্āϟ āĻĄা⧟াāϞāĻ—, āĻ•āĻĨা āĻŦāϞāϤে āϝা āĻĒ্āϰা⧟āχ āĻŦ্āϝāĻŦāĻšাāϰ āĻšā§Ÿ...

✪ What’s up - āĻ•ি āĻ–āĻŦāϰ?
✪ Carry on - āϚাāϞি⧟ে āϝাāĻ“
✪ Wow - āĻŦাāĻš, āĻĻাāϰুāύ āϤো
✪ My goodness! - āĻāĻ•ি!
✪ How come - āĻ•ি āĻŦ্āϝাāĻĒাāϰ?
✪ What a mess! - āĻ•ি āĻāĻ• āĻাāĻŽেāϞা!
✪ Oh shit - āϧ্āϝাāϤ্āϤেāϰি
✪ Yes, go on - āĻš্āϝা, āĻŦāϞāϤে āĻĨাāĻ•
✪ Oh dear! - āĻŦāϞো āĻ•ী! 
✪ Hi guys - āĻš্āϝাāϞো āĻŦāύ্āϧুāϰা
✪ Good job! – āϏাāĻŦাāĻļ!
✪ So what? – āϤাāϤে āĻ•ি?
✪ Oh, no! - āĻ āĻšāϤে āĻĒাāϰেāύা!
✪ Pay attention! - āĻŽāύোāϝোāĻ— āĻĻিāύ!
✪ Definitely – āĻ…āĻŦāĻļ্āϝāχ
✪ Let it pass - āĻ›ে⧜ে āĻĻিāύ।
✪ Obviously – āϏ্āĻĒāώ্āϟāϤ, āϏāĻŽ্āĻ­āĻŦāϤ
✪ I’m off - āφāĻŽি āĻ—েāϞাāĻŽ।
✪ It’s your turn - āĻāĻŦাāϰ āϤোāĻŽাāϰ āĻĒাāϞা
✪ As if - āϝেāύ, āĻ•ি āϝে āĻšāϤো
✪ Damn it! - āϚুāϞা⧟ āϝাāĻ•!
✪ What a surprise!- āĻšāϟাā§Ž āϝে!
✪ Go to the devil! – āĻ—োāϞ্āϞা⧟ āϝাāĻ•!
✪ What about you? – āϤোāĻŽাāϰ āĻ–āĻŦāϰ āĻ•ি?
✪ so so - āĻŽোāϟাāĻŽোāϟি
✪ So be it - āϤāĻŦে āϤাāχ āĻšোāĻ•
✪ Who cares! – āĻ•াāϰ āĻ•ি āϝা⧟ āφāϏে!
✪ I'm at a loss - āĻ•ি āĻŦāϞāĻŦ āĻ­েāĻŦে āĻĒাāϚ্āĻ›িāύা!
✪ Heiya! It is you I see - āφāϰে āϤুāĻŽি āϝে!
✪ Oh! come on - āφāĻš! āĻāĻ•āϟু āĻŦুāĻāϤে āϚেāώ্āϟা āĻ•āϰো
✪ Excuse me - āĻāχ āϝে āĻļুāύুāύ
✪ Not a bit - āĻāĻ•āϟুāĻ“ āύা
✪ That’s fantastic - āĻāϟা āϏāϤ্āϝি āϚāĻŽā§ŽāĻ•াāϰ 
✪ Next to nothing - āĻŦāϞāϤে āĻ—েāϞে āĻ•িāĻ›ুāχ āύা
✪ Mind your language - āĻ­াāώা āϏংāϝāϤ āĻ•āϰো
✪ Come to the point – āφāϏāϞ āĻ•āĻĨা āĻŦāϞ
✪ Thats right - āĻ িāĻ• āĻŦāϞেāĻ›েāύ
✪ To be frank - āĻ–োāϞাāĻ–ুāϞি āĻ­াāĻŦে āĻŦāϞāϤে āĻ—েāϞে।
✪ Really pleased - āϏāϤ্āϝি āφāύāύ্āĻĻিāϤ
✪ I am delighted- āφāĻŽি āφāύāύ্āĻĻিāϤ ।
✪ So kind of you! - āφāĻĒāύাāϰ āĻĻ⧟া।
✪ Anybody home? - āĻŦা⧜িāϤে āĻ•েāω āφāĻ›েāύ?
✪ Keep quiet - āϚুāĻĒ āĻ•āϰ
✪ No entrance - āĻĒ্āϰāĻŦেāĻļ āύিāώেāϧ
✪ It’s enough - āϝāĻĨেāώ্āϟ āĻšā§ŸেāĻ›
✪ What happened - āĻ•ি āĻšā§ŸেāĻ›ে
✪ What an idea! - āĻ•ি āĻŦুāĻĻ্āϧি!
✪ Well done - āϏাāĻŦাāĻļ
✪ Indeed! - āϏāϤ্āϝি!
✪ How peaceful! - āĻ•ি āĻļাāύ্āϤ!
✪ Get lost - āĻŦিāĻĻা⧟ āĻšোāύ।
✪ Let me see - āφāĻŽাāĻ•ে āĻĻেāĻ–āϤে āĻĻাāĻ“
✪ Oh sure - āĻ“ āύিāĻļ্āϚ⧟āχ
✪ Who knows! – āĻ•ে āϜাāύে!
✪ Bullshit! – āĻŦাāϜে āĻ•āĻĨা
✪ But who cares! - āĻ•ে āϧাāϰāϧাāϰে!
✪ No more buts - āφāϰ āĻ•োāύ āĻ•িāύ্āϤু āύ⧟
✪ How so – āϤা āĻ•ি āĻ•āϰে āĻšā§Ÿ?
✪ I think so - āφāĻŽি āϤাāχ āĻŽāύে āĻ•āϰি
✪ Calm down - āĻļাāύ্āϤ āĻšāĻ“
✪ Let’s have a look - āϚāϞ āĻĻেāĻ–ি
✪ Let’s run away - āϚāϞো āĻāĻ•্āώুāύি āĻĒাāϞাāχ 
✪ I am getting wet - āφāĻŽি āĻ­িāϜে āϝাāϚ্āĻ›ি
✪ I don’t care! – āφāĻŽাāϰ āĻ•িāĻ›ু āϝা⧟ āφāϏেāύা!
✪ How else – āφāϰ āĻ•িāĻ­াāĻŦে?
✪ Little by little – āĻ•্āϰāĻŽাāύ্āĻŦ⧟ে।
✪ Is it so! - āϤাāχ āύাāĻ•ি!
✪ If you do case - āϝāĻĻি āφāĻĒāύি āϚাāύ
✪ Have a good day - āĻ­াāϞ āĻāĻ•āϟি āĻĻিāύ āĻ•াāϟাāĻ“।
✪ Let’s sit somewhere - āϚāϞ āĻ•োāĻĨাāĻ“ āĻŦāϏি
✪ So far so good - āĻ āĻĒāϰ্āϝāύ্āϤ āϏāĻŦāχ āĻ­াāϞো
✪ I tend to think – āφāĻŽাāϰ āĻ•েāύ āϝেāύ āĻŽāύে āĻšā§Ÿ।
✪ I suppose so – āφāĻŽিāĻ“ āϏেāϟা āϧাāϰāĻŖা āĻ•āϰāĻ›ি।
✪ I don’t mind – āφāĻŽি āĻ•িāĻ›ু āĻŽāύে āĻ•āϰি āύা।
✪ If so, so what - āϝāĻĻি āϤাāχ āĻšā§Ÿ āϤাāϤে āĻ•ী
✪ Keep your word – āϤোāĻŽাāϰ āĻ•āĻĨা āϰেāĻ–ো।
✪ Nothing is impossible – āĻ•োāύ āĻ•িāĻ›ুāχ āĻ…āϏāĻŽ্āĻ­āĻŦ āύ⧟।
✪ Whatever (you want) – āϤুāĻŽি āϝা āϚাāĻ“।
✪ Whatever you do? – āϤুāĻŽি āϝা āĻ•āϰ।
✪ Why should I care? – āĻ•েāύ āφāĻŽি āĻĒāϰো⧟া āĻ•āϰāĻŦ?
✪ Something else – āĻ…āύ্āϝ āĻ•িāĻ›ু।
✪ Nothing else – āĻ…āύ্āϝ āĻ•িāĻ›ুāχ āύা।
✪ Talk sense - āϚিāύ্āϤা āĻ•āϰে āĻ•āĻĨা āĻŦāϞ 
✪ Don’t say anymore – āφāϰ āĻ•িāĻ›ু āĻŦāϞো āύা।
✪ Forget it - āĻ“ āĻ­ুāϞে āϝাāĻ“। 
✪ What a pity- āĻ•ি āĻĻু:āĻ–āϜāύāĻ• ।
✪ Hold on - āϞাāχāύে āĻĨাāĻ•ুāύ
✪ Do it at once! - āĻāĻ•্āώুāύি āĻ•āϰ!
✪ Speak with care - āϏাāĻŦāϧাāύে āĻ•āĻĨা āĻŦāϞ।
✪ How strange! - āĻ•ি āĻ…āĻĻ্āĻ­ুāϤ!
✪ By the grace of Allah - āφāϞ্āϞাāĻšাāϰ āϰāĻšāĻŽāϤে
✪ How absurd! - āĻ•ি āĻŦাāϜে āĻŦāĻ•āĻ›ো!
✪ Good riddance! - āϝাāĻ• āĻŦাāϚা āĻ—েāϞ!
✪ Just for asking - āϚাāχāϞেāχ āĻĒাāĻ“ā§Ÿা āϝা⧟
✪ Stand in queue - āϞাāχāύে āĻĻাঁ⧜াāύ
✪ No smoking - āϧূāĻŽāĻĒাāύ āύিāώেāϧ
✪ Let me digress - āĻāĻ•āϟু āĻ­িāύ্āύ āĻĒ্āϰāϏāĻ™্āĻ—ে āϝাāĻ“ā§Ÿা āϝাāĻ• 
✪ I swear I will - āĻ•āϏāĻŽ āφāĻŽি āĻ•āϰāĻŦ ।
✪ I give up - āφāĻŽি āĻ›ে⧜ে āĻĻি⧟েāĻ›ি ।
✪ Pardon me - āĻ•্āώāĻŽা āĻ•āϰো।
✪ It’s sound good - āϤোāĻŽাāϰ āĻ•āĻĨা āĻ­াāϞো āϞাāĻ—āĻ›ে।
✪ On the other hand - āĻ…āĻĒāϰ āĻĒāĻ•্āώে 

(collected from Internet
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āĻŽাāĻ“āϞাāύা āϏাāĻĻāĻ•ে āύি⧟ে āφāϰ āĻŦিāϤāϰ্āĻ• āϚাāχ āύা

āĻŦিāĻļ্āĻŦ āχāϜāϤেāĻŽাāϰ āύাāĻŽ āĻļোāύেāύāύি āĻāĻŽāύ āĻ•াāωāĻ•ে āĻāχ āĻŦাংāϞাāĻĻেāĻļে āĻĒাāĻ“ā§Ÿা āĻāĻ–āύ āĻŽুāĻļāĻ•িāϞ। āϰাāϜāύৈāϤিāĻ• āĻŽāϤাāĻĻāϰ্āĻļেāϰ āĻĒ্āϰāϚাāϰ āύা āĻĨাāĻ•া⧟ āĻāĻŦং āϚাāύ্āĻĻা āĻ•িংāĻŦা āϧাāύ্āϧাāϰ āĻŦ্āϝাāĻĒাāϰ āύা āĻĨাāĻ•া⧟- āĻ–ুāĻŦ āĻĻ্āϰুāϤ āϤাāĻŦāϞীāĻ— āϜাāĻŽাāϤ āϏāϰ্āĻŦāϏাāϧাāϰāĻŖেāϰ āφāϏ্āĻĨা āĻ“ āĻ­াāϞোāĻŦাāϏা āĻĒেāϤে āϏāĻŽāϰ্āĻĨ āĻšā§Ÿ।

āφāϜ āĻĨেāĻ•ে āĻĒ্āϰা⧟ āĻļāϤāĻŦāϰ্āώ āφāĻ—ে āĻ­াāϰāϤেāϰ āĻŽেāĻ“ā§ŸাāϤ āĻ…āĻž্āϚāϞে āĻŽাāĻ“āϞাāύা āχāϞি⧟াāϏ āĻ•াāύ্āϧāϞāĻŦী (āϰāĻš.) āĻāχ āĻŽেāĻšāύāϤ āĻļুāϰু āĻ•āϰেāύ। āĻŽাāĻĻāϰাāϏা āĻ“ āĻ–াāύāĻ•াāĻš āĻ•েāύ্āĻĻ্āϰিāĻ• āϧāϰ্āĻŽ āϚāϰ্āϚাāϰ āĻŦāϞ⧟ āĻĨেāĻ•ে āĻŦেāϰ āĻšā§Ÿে āϤিāύি āĻāĻ• āύāĻŦāϜাāĻ—āϰāĻŖ āϏৃāώ্āϟি āĻ•āϰেāύ। āφāĻŽ āϜāύāϤা āϤাāϰ āĻŽেāĻšāύāϤেāϰ āϏাāĻĨে āĻļāϰীāĻ• āĻšāϤে āĻĨাāĻ•েāύ āĻāĻŦং āύিāϜেāĻ•ে āĻŦāĻĻāϞাāϤে āĻĨাāĻ•েāύ āφāĻŽূāϞ।

āĻŦিāĻļ্āĻŦ āϤাāĻŦāϞীāĻ—েāϰ āĻŽূāϞ āĻŽাāϰāĻ•াāϜ āĻšāϚ্āĻ›ে āĻĻিāϞ্āϞীāϰ āύিāϜাāĻŽুāĻĻ্āĻĻীāύে। āĻĒāϰāĻŦāϰ্āϤীāĻ•াāϞে āĻšাāĻ•্āĻ•াāύী āĻ“āϞাāĻŽা⧟ে āĻ•েāϰাāĻŽ, āĻŦুāϜুāϰ্āĻ—াāύে āĻĻ্āĻŦীāύ āĻāĻ• āĻŦাāĻ•্āϝে āϏ্āĻŦীāĻ•াāϰ āĻ•āϰে āύি⧟েāĻ›েāύ āϤাāĻŦāϞীāĻ— āĻ“ āĻĻাāĻ“ā§ŸাāĻš- āĻāĻ•āϟি āĻšāĻ• āĻŽেāĻšāύāϤ। āĻāĻŦং āĻ āĻŽেāĻšāύāϤেāϰ āϏাāĻĨে āϜু⧜āϞে āĻŦāĻĻāϞে āϝেāϤে āĻĒাāϰে āϝে āĻ•াāϰāĻ“ āϜীāĻŦāύ। āĻĒাঁāϚāĻ“ āĻŽāĻšাāĻĻেāĻļে āĻāχ āĻŽেāĻšāύāϤ āĻāĻ–āύ āĻ›ā§œি⧟ে āĻĒ⧜েāĻ›ে। āĻŦāĻĻāϞে āĻ—েāĻ›ে āϞাāĻ–ো āϜীāĻŦāύ।

āĻŽাāĻ“āϞাāύা āϏাāĻĻ āĻ•াāύ্āϧāϞāĻŦী (āĻŽা. āφ.)
āϏাāĻŽ্āĻĒ্āϰāϤিāĻ•āĻ•াāϞে āĻŽাāĻ“āϞাāύা āχāϞি⧟াāϏ āĻ•াāύ্āϧāϞāĻŦী (āϰāĻš.) āĻāϰ āĻĻৌāĻšিāϤ্āϰ āύিāϜাāĻŽুāĻĻ্āĻĻীāύ āĻŽাāϰāĻ•াāϜেāϰ āϏāϰ্āĻŦāϜāύ āĻļ্āϰāĻĻ্āϧে⧟ āĻŽুāϰুāĻŦ্āĻŦী (āĻŦিāĻļ্āĻŦ āφāĻŽীāϰāĻ“ āĻŦāϞা āĻšā§Ÿে āĻĨাāĻ•ে) āĻŽাāĻ“āϞাāύা āϏাāĻĻ āĻ•াāύ্āϧāϞāĻŦীāϰ āĻ•িāĻ›ু āĻŦ⧟াāύ āύি⧟ে āĻ“āϞাāĻŽাāĻĻেāϰ āĻŽাāĻে āĻŽāϤāĻĒাāϰ্āĻĨāĻ•্āϝ āĻĻেāĻ–া āĻĻে⧟। āĻ“āϞাāĻŽা āĻŽাāĻļা⧟েāĻ–āĻĻেāϰ āĻŽāϤāĻĒাāϰ্āĻĨāĻ•্āϝ āύāϤুāύ āĻ•োāύāĻ“ āĻŦিāώ⧟ āύ⧟। āφāĻ—েāϰ āϝুāĻ—েāĻ“ āĻšā§ŸেāĻ›ে। āϚাāϰāϟি āĻŽাāϜāĻšাāĻŦ āĻ•িংāĻŦা āϞা-āĻŽাāϜāĻšাāĻŦ āĻ•িāύ্āϤু āĻŽāϤāĻĒাāϰ্āĻĨāĻ•্āϝ āĻĨেāĻ•েāχ।

āĻ“āϞাāĻŽা⧟ে āĻĻেāĻ“āĻŦāύ্āϧেāϰ āφāύীāϤ āĻ…āĻ­িāϝোāĻ—āĻ•ে āϏ্āĻŦীāĻ•াāϰ  āĻāĻŦং āĻ­ুāϞেāϰ āϜāύ্āϝ āĻ•্āώāĻŽা āϚে⧟ে āĻŽāĻšāϤ্āĻŦেāϰ āĻĒāϰিāϚ⧟ āĻĻি⧟েāĻ›েāύ āĻŽাāĻ“āϞাāύা āϏাāĻĻ। āύāĻŦী-āϰāϏূāϞ āĻŦাāĻĻে āĻ•েāωāχ āĻ­ুāϞেāϰ āωāϰ্āϧে āύ⧟। āĻ­ুāϞ āϏংāĻļোāϧāύেāϰ āϏুāϝোāĻ— āĻĻিāϤে āĻšāĻŦে।

ā§§ā§Š āϜাāύু⧟াāϰি āĻĒ্āϰāĻĨāĻŽ āφāϞোāϤে āĻĒ্āϰāĻ•াāĻļিāϤ āϏংāĻŦাāĻĻেāϰ āĻŽাāϧ্āϝāĻŽে āĻŦুāĻāϤে āĻĒাāϰāϞাāĻŽ āĻ“āϞাāĻŽা⧟ে āĻĻেāĻ“āĻŦāύ্āĻĻ āĻ“ āĻŽাāĻ“āϞাāύা āϏাāĻĻেāϰ āĻŽাāĻে āϤৈāϰি āĻšāĻ“ā§Ÿা āĻ­ুāϞ āĻŦোāĻাāĻŦুāĻিāϰ āĻ…āĻŦāϏাāύ āĻšā§ŸেāĻ›ে।

āϤāĻŦুāĻ“ āĻāĻĻেāĻļেāϰ āĻ•িāĻ›ু āĻ“āϞাāĻŽা-āĻŽাāĻļা⧟েāĻ– āĻŽাāĻ“āϞাāύা āϏাāĻĻāĻ•ে āϟāĻ™্āĻ—ীāϤে āϚāϞāĻŽাāύ āĻŦিāĻļ্āĻŦ āχāϜāϤেāĻŽা⧟ āĻļāϰীāĻ• āĻšāϤে āύা āĻĻি⧟ে āϞāĻ•্āώ āϞāĻ•্āώ āϧāϰ্āĻŽāĻĒ্āϰাāĻŖ, āϤাāĻŦāϞীāĻ—-āĻ…āύ্āϤāĻĒ্āϰাāĻŖ āϏাāĻĨীāĻĻেāϰ āĻšৃāĻĻ⧟āĻ•ে āϰāĻ•্āϤাāĻ•্āϤ āĻ•āϰেāĻ›েāύ।

āϝে āĻ–াāύāĻĻাāύ āĻŦিāĻļ্āĻŦ āĻĻāϰāĻŦাāϰে āϤাāĻŦāϞীāĻ—েāϰ āĻ…āĻŽি⧟ āĻŦাāĻŖী āĻĒৌঁāĻ›ে āĻĻি⧟েāĻ›েāύ, āĻāĻ–āύāĻ“ āĻĻিāϚ্āĻ›েāύ, āϏেāχ āĻ–াāύāĻĻাāύেāϰ āĻ…āύুāĻĒāϏ্āĻĨিāϤি āχāϜāϤেāĻŽাāϰ āϏৌāύ্āĻĻāϰ্āϝāĻ•ে āĻ…āύেāĻ•āϟা āĻŽāϞিāύ āĻ•āϰেāĻ›ে।

āĻāĻĻেāĻļেāϰ āϏāĻŽāϏ্āϤ āχāϏāϞাāĻŽী āĻĒāύ্āĻĄিāϤ āĻ“ āĻŦুāϜুāϰ্āĻ—াāύে āĻĻ্āĻŦীāύেāϰ āĻ•াāĻ›ে āĻāχ āĻ…āϧāĻŽ, āĻ—ুāύাāĻšāĻ—াāϰ, āĻ–াāĻ•āĻ›াāϰ āĻŦ্āϝāĻ•্āϤিāϟিāϰ āĻŦিāύীāϤ āĻĒ্āϰাāϰ্āĻĨāύা- āφāĻĒāύাāϰা āĻŽাāĻ“āϞাāύা āϏাāĻĻ āĻ•াāύ্āĻĻāϞāĻŦী (āĻŽা.āφ.)āĻ•ে āύি⧟ে āĻāχ āϧ্āĻŦংāϏাāϤ্āĻŽāĻ• āĻ–েāϞা āĻŦāύ্āϧ āĻ•āϰুāύ। āϤাāĻŦāϞীāĻ—āĻ•ে āφāϰāĻ“ āϏাāĻŽāύে āĻāĻ—ি⧟ে āϝেāϤে āϏাāĻšাāϝ্āϝ āĻ•āϰুāύ।

āϤাāĻŦāϞীāĻ— āĻŦিāϤāϰ্āĻ•িāϤ, āĻ•্āώāϤিāĻ—্āϰāϏ্āϤ āĻ•িংāĻŦা āĻŦāύ্āϧ āĻšā§Ÿে āĻ—েāϞে āĻĒুāϰো āĻŽুāϏāϞিāĻŽ āωāĻŽ্āĻŽাāĻš āĻ•্āώāϤিāĻ—্āϰāϏ্āϤ āĻšāĻŦে।

(āωāĻĒāϰিāωāĻ•্āϤ āϞেāĻ–া āφāĻŽাāϰ āĻāĻ•াāύ্āϤ āĻŦ্āϝāĻ•্āϤিāĻ—āϤ āĻŽāϤাāĻŽāϤ)
āĻ“ā§ŸাāĻĻুāĻĻ āĻ–াāύ
ā§§ā§Ē āϜাāύু⧟াāϰি, ⧍ā§Ļā§§ā§Ž
āϏāĻĻāϰāĻĒুāϰ, āĻĢāϰিāĻĻāĻĒুāϰ
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āĻ•্āϝাāĻĄাāϰ āĻļিāĻ•্āώāĻ•āϰা āĻ•াāϜ āĻ•āϰেāύ āύা! (āĻ…āĻ­িāϝোāĻ— āĻ–āĻŖ্āĻĄāύ)


āĻ•িāĻ›ু āĻ•āĻĨিāϤ āĻŦুāĻĻ্āϧিāϜীāĻŦী, āĻ…āĻŦāĻļ্āϝ āϤাāĻĻেāϰāĻ•ে āϟāĻ•āĻļোāϜীāĻŦী āĻŦāϞাāχ āĻŦেāĻļি āĻļ্āϰে⧟, āĻŦিāĻ­িāύ্āύ āϟāĻ•āĻļোāϤে āĻ—ি⧟ে āĻĸাāϞাāĻ“āĻ­াāĻŦে āĻŦāϞে āĻĨাāĻ•েāύ āϏāϰāĻ•াāϰি āĻ•āϞেāϜ āĻļিāĻ•্āώāĻ•āϰা āĻĻুāĻĒুāϰ āĻŦাāϰোāϟাāϰ āĻĒāϰ āĻ•āϞেāϜে āĻĨাāĻ•েāύ āύা। āĻ•েāω āĻ•েāω āφāϰāĻ“ āĻŦা⧜ি⧟ে āĻŦāϞেāύ, āĻ“āύাāϰা āϏāĻĒ্āϤাāĻšে āĻĻুāĻĻিāύ āφāϏেāύ, āĻĒাঁāϚāĻĻিāύ āϘুāĻŽাāύ। āĻ…āĻŦāϏ্āĻĨাāĻĻৃāώ্āϟে āĻŽāύে āĻšā§Ÿ, āĻ•্āϝাāĻĄাāϰ āĻļিāĻ•্āώāĻ• āĻ•āϰ্āĻŽāĻ•āϰ্āϤাāĻĻেāϰ āĻŽাāϏ āĻļেāώে āĻŦেāϤāύ āωāϤ্āϤোāϞāύ āĻ•āϰা āĻ›া⧜া āφāϰ āĻ•োāύো āĻ•াāϜ āύেāχ। āφāĻš, āĻ•ী āφāϰাāĻŽ āĻļিāĻ•্āώāĻ•āĻĻেāϰ!

āĻ…āĻĨāϚ, āĻāϏāĻŦ āĻ…āĻ­িāϝোāĻ— āϏāĻŽ্āĻĒূāϰ্āĻŖ āĻ­ু⧟া, āĻ­িāϤ্āϤিāĻšীāύ, āĻ…āϜ্āĻžāϤাāĻĒ্āϰāϏূāϤ, āĻ•িāĻ›ু āĻ•িāĻ›ু āĻ•্āώেāϤ্āϰে āωāĻĻ্āĻĻেāĻļ্āϝāĻĒ্āϰāĻŖোāĻĻিāϤ। āϜāύāϏাāϧাāϰāĻŖেāϰ āĻŽāύে āύেāϤিāĻŦাāϚāĻ• āϧাāϰāĻŖা āϤৈāϰি āĻ•āϰাāϰ āϜāύ্āϝ āχāϚ্āĻ›াāĻ•ৃāϤāĻ­াāĻŦেāχ āĻ•িāĻ›ু āĻŦুāĻĻ্āϧিāϜীāĻŦী (?) āĻāϏāĻŦ āĻ…āĻ­িāϝোāĻ— āĻ•āϰে āĻĨাāĻ•েāύ। āĻŦিāĻŦেāĻ•েāϰ āĻĻা⧟āĻŦোāϧ āĻĨেāĻ•ে āĻāϏāĻŦ āĻ…āĻ­িāϝোāĻ— āĻ–āĻŖ্āĻĄāύেāϰ āϜāύ্āϝ āĻ•āϞāĻŽ āϧāϰāϞাāĻŽ।

āĻŦেāĻļিāϰāĻ­াāĻ— āϏāϰāĻ•াāϰি āĻ•āϞেāϜ āĻŦāϰ্āϤāĻŽাāύে āϜাāϤী⧟ āĻŦিāĻļ্āĻŦāĻŦিāĻĻ্āϝাāϞ⧟ āĻ…āϧিāĻ­ুāĻ•্āϤ। āĻ…āύেāĻ•ে āĻ•āϞেāϜে āĻŦাāϰো āĻĨেāĻ•ে āώোāϞোāϟি āĻŦিāώ⧟ে āĻ…āύাāϰ্āϏāϏāĻš āĻŽাāϏ্āϟাāϰ্āϏ āĻĒ⧜াāύো āĻšā§Ÿ। āϜাāϤী⧟ āĻŦিāĻļ্āĻŦāĻŦিāĻĻ্āϝাāϞ⧟ āĻ•্āϞাāϏেāϰ āϜāύ্āϝ āĻ…āϤিāϰিāĻ•্āϤ āĻĒাāϰিāĻļ্āϰāĻŽিāĻ• āύা āĻĻে⧟া āϏāϤ্āϤ্āĻŦেāĻ“, āĻŦিāϜ্āĻž āĻļিāĻ•্āώāĻ•āĻŦৃāύ্āĻĻ āϏেāĻ–াāύে āϏ্āĻŦেāϚ্āĻ›া⧟ āĻ•্āϞাāϏ āύি⧟ে āĻĨাāĻ•েāύ।

āϜাāϤী⧟ āĻŦিāĻļ্āĻŦāĻŦিāĻĻ্āϝাāϞ⧟ āĻŦāĻ›āϰāϜু⧜ে āĻĒāϰীāĻ•্āώা āύি⧟ে āĻĨাāĻ•ে। āĻ•াāϜ āϚāϞে āĻ­āϰ্āϤি āĻ“ āĻĢāϰāĻŽ āĻĒূāϰāĻŖেāϰ। āϤাāĻĻেāϰ āĻĒāϰীāĻ•্āώাāϰ āύি⧟āĻŽিāϤ āϰুāϟিāύ āĻšāϞো- āĻĻুāĻĒুāϰ ⧍.ā§Ļā§Ļāϟা āĻĨেāĻ•ে āĻŦিāĻ•েāϞ ā§Ģ.ā§Ļā§Ļāϟা āĻĒāϰ্āϝāύ্āϤ। āĻāĻ›া⧜াāĻ“ āĻŦিāϜ্āĻžাāύ āĻŦিāĻ­াāĻ—েāϰ āĻĒ্āϰ‍্āϝাāĻ•্āϟিāĻ•্āϝাāϞ āĻ•্āϞাāϏāĻ—ুāϞো āϏাāϧাāϰāĻŖāϤ āĻŦিāĻ•েāϞে āĻšā§Ÿে āĻĨাāĻ•ে।

āĻ…āĻ­্āϝāύ্āϤāϰীāĻŖ āϏāĻ•āϞ āĻĒāϰীāĻ•্āώা, āωāϚ্āϚāĻŽাāϧ্āϝāĻŽিāĻ• āĻŦোāϰ্āĻĄ āĻĒāϰীāĻ•্āώা, āϜাāϤী⧟ āĻŦিāĻļ্āĻŦāĻŦিāĻĻ্āϝাāϞ⧟েāϰ āĻĒাāϏ-āĻ•োāϰ্āϏ, āĻ…āύাāϰ্āϏ āĻ“ āĻŽাāϏ্āϟাāϰ্āϏ āĻĒāϰীāĻ•্āώাāϰ āϏāĻ•āϞ āĻ–াāϤা āĻ—āĻ­ীāϰ āϰাāϤ āϜেāĻ—ে āĻŽূāϞ্āϝা⧟āύ āĻ•āϰে āĻĨাāĻ•েāύ āϏāϰāĻ•াāϰি āĻ•āϞেāϜেāϰ āĻļিāĻ•্āώāĻ•āĻŦৃāύ্āĻĻ।

āĻāĻ•āϟি āĻ•্āϞাāϏ āύিāϤে āϝāĻĻিāĻ“ āĻŦাāĻš্āϝāϤ āĻāĻ• āĻĨেāĻ•ে āĻĻে⧜ āϘāĻŖ্āϟা āϏāĻŽā§Ÿ āϞাāĻ—ে, āϏেāχ āĻāĻ•āϟি āĻŽাāύāϏāĻŽ্āĻŽāϤ āĻ•্āϞাāϏ āϤৈāϰিāϰ āϜāύ্āϝ āĻāĻ•āϜāύ āĻĒ্āϰাāϜ্āĻž āĻļিāĻ•্āώāĻ•āĻ•ে āĻ•্āϞাāϏেāϰ āĻŦাāχāϰে āĻ–াāϟāϤে āĻšā§Ÿ āĻŦেāĻļ āĻ•ā§ŸেāĻ• āϘāĻŖ্āϟা। āĻ—āĻ­ীāϰ āϰাāϤেāĻ“। āϝেāĻŽāύ, āϞেāϏāύ āĻĒ্āϞাāύ āĻ•āϰা, āĻĄিāϜিāϟাāϞ āĻ•āύ্āϟেāύ্āϟ āϤৈāϰি āĻ•āϰা, āĻ•্āϞাāϏ āϟেāϏ্āϟ āύে⧟াāϰ āϜāύ্āϝ āĻĒ্āϰāĻļ্āύāĻĒāϤ্āϰ āϤৈāϰি āĻ•āϰা, āϏাāϜেāĻļāύ āϤৈāϰি āĻ•āϰা āχāϤ্āϝাāĻĻি।

āĻ­্āϝাāĻ•েāĻļāύ āĻĄিāĻĒাāϰ্āϟāĻŽেāύ্āϟেāϰ āϤāĻ•āĻŽা āĻĒ⧜াāύো āĻĨাāĻ•āϞেāĻ“, āĻ•াāϰ্āϝāϤ āĻļিāĻ•্āώāĻ•āϰা āĻ•োāύো āĻ›ুāϟিāχ āĻ­োāĻ— āĻ•āϰāϤে āĻĒাāϰেāύ āύা। āĻŽাāĻেāĻŽাāĻে āĻļুāĻ•্āϰāĻŦাāϰেāĻ“ āĻŦিāĻ­িāύ্āύ āĻ­āϰ্āϤি āĻĒāϰীāĻ•্āώা āĻ•িংāĻŦা āϚাāĻ•āϰি āĻĒāϰীāĻ•্āώাāϰ āĻĻা⧟িāϤ্āĻŦ āĻĒাāϞāύ āĻ•āϰāϤে āĻšā§Ÿ। 

āĻ—্āϰীāώ্āĻŽāĻ•াāϞীāύ āĻ…āĻŦāĻ•াāĻļে āωāϚ্āϚāĻŽাāϧ্āϝāĻŽিāĻ• āĻŦোāϰ্āĻĄ āĻĒāϰীāĻ•্āώা āĻĒāϰিāϚাāϞāύা āĻ•āϰāϤে āĻšā§Ÿ। āĻļীāϤāĻ•াāϞীāύ āĻ…āĻŦāĻ•াāĻļে āωāϚ্āϚāĻŽাāϧ্āϝāĻŽিāĻ• āĻĒāϰীāĻ•্āώাāϰ āĻĢāϰāĻŽ āĻĒূāϰāĻŖেāϰ āĻĻা⧟িāϤ্āĻŦ āĻĒাāϞāύ āĻ•āϰāϤে āĻšā§Ÿ। āϏাāϰা āϰāĻŽāϝাāύ āĻŽাāϏāϜু⧜ে āϜাāϤী⧟ āĻŦিāĻļ্āĻŦāĻŦিāĻĻ্āϝাāϞ⧟েāϰ āĻŦিāĻ­িāύ্āύ āϏেāĻļāύেāϰ, āĻŦিāĻ­িāύ্āύ āĻŦāϰ্āώেāϰ āύাāύা āĻĒāϰীāĻ•্āώা āϞেāĻ—ে āĻĨাāĻ•ে।

āĻāĻ›া⧜াāĻ“ āĻŦিāϜ্āĻž āĻ•্āϝাāĻĄাāϰ āĻļিāĻ•্āώāĻ•āĻ—āĻŖ āĻŦāĻ›āϰে āĻŦা⧟াāύ্āύāϟি āĻļāύিāĻŦাāϰ āĻŦেāĻļি āĻļ্āϰāĻŽ āĻĻেāύ। āĻāϜāύ্āϝ āĻŦা⧜āϤি āϏāĻŽ্āĻŽাāύী āϤাāϰা āĻ•āĻ–āύো āĻĒাāύ āύা। āϝেāĻ–াāύে āĻĒ্āϰāϜাāϤāύ্āϤ্āϰেāϰ āĻ…āύ্āϝাāύ্āϝ āϏāĻ•āϞ āĻ•āϰ্āĻŽāϚাāϰী āϏāĻĒ্āϤাāĻšে āĻĻুāĻĻিāύ āĻ›ুāϟি āĻĒাāύ, āϏেāĻ–াāύে āĻļিāĻ•্āώāĻ•āϏāĻŽ্āĻĒ্āϰāĻĻা⧟ āĻ›ুāϟি āĻĒা⧟ āĻŽাāϤ্āϰ āĻāĻ•āĻĻিāύ।

āĻāĻ›া⧜াāĻ“ āϏāĻ•āϞ āϜাāϤী⧟āĻĻিāĻŦāϏে āĻļিāĻ•্āώāĻ•āĻĻেāϰ āϏ্āĻŦāϏ্āĻŦ āĻ•āϞেāϜে āωāĻĒāϏ্āĻĨিāϤ āĻĨেāĻ•ে āĻĻিāĻŦāϏāϟি āωāĻĻāϝাāĻĒāύ āĻ•āϰāϤে āĻšā§Ÿ। āĻāĻŽāύāĻ•ি āĻĻিāĻŦāϏāϟি āĻļুāĻ•্āϰāĻŦাāϰে āĻšāϞেāĻ“। 

āϝেāĻ•োāύো āϜাāϤী⧟ āύিāϰ্āĻŦাāϚāύāĻ•াāϞে āϜীāĻŦāύেāϰ āϚāϰāĻŽ āĻুঁāĻ•ি āύি⧟ে āĻĒ্āϰিāϜাāχāĻĄিং āĻ…āĻĢিāϏাāϰেāϰ āĻĻা⧟িāϤ্āĻŦ āĻĒাāϞāύ āĻ•āϰāϤে āĻšā§Ÿ āĻ•্āϝাāĻĄাāϰ āĻļিāĻ•্āώāĻ• āĻ•āϰ্āĻŽāĻ•āϰ্āϤাāĻĻেāϰ। āχāϤোāĻŽāϧ্āϝে āĻĻা⧟িāϤ্āĻŦ āĻĒাāϞāύāĻ•াāϞে āĻ…āύেāĻ•ে āĻĒāϟāϞ āϤুāϞেāĻ›েāύ। āϏংāĻ–্āϝাāϟা āύেāĻšা⧟েāϤ āĻ•āĻŽ āύ⧟। 

āϏāĻŽ্āĻ­āĻŦāϤ āĻŦুāĻĻ্āϧিāϜীāĻŦী āĻ•িংāĻŦা āϟāĻ•āĻļোāϜীāĻŦীāϰা āϤাঁāĻĻেāϰ āĻāϞাāĻ•াāϰ āĻŦেāϏāϰāĻ•াāϰি āĻ•āϞেāϜ āĻļিāĻ•্āώāĻ•āĻĻেāϰ āĻ•āϞেāϜে āĻļিāĻ•্āώāĻ•āϤা āĻ•āϰাāϰ āĻĒাāĻļাāĻĒাāĻļি āĻŽুāĻĻি-āĻĻোāĻ•াāύ, āĻ“āώুāϧেāϰ āĻĢাāϰ্āĻŽেāϏি, āĻšোāĻŽিāĻ“āĻĒ্āϝাāĻĨিāϰ āĻĒ্āϰ্āϝাāĻ•āϟিāϏ, āĻŦāĻ‡ā§Ÿেāϰ āĻĻোāĻ•াāύ, āϰাāϜāύীāϤি- āχāϤ্āϝাāĻĻি āĻ•āϰে āĻĻেāĻ–āϤে āĻ…āĻ­্āϝāϏ্āϤ। āϤাঁāĻĻেāϰ āϏাāĻĨে āϏāϰāĻ•াāϰি āĻ•āϞেāϜেāϰ āĻ•্āϝাāĻĄাāϰ āĻļিāĻ•্āώāĻ•āĻĻেāϰ āĻ—ুāϞি⧟ে āĻĢেāϞেāĻ›েāύ। āĻŽāύে āϰাāĻ–āϤে āĻšāĻŦে- āϤেāϞ āĻ“ āϜāϞ āĻāĻ• āύ⧟। 

"āĻļিāĻ•্āώāĻ•āϤা āĻĒেāĻļা āφāϰাāĻŽেāϰ। āĻāĻ–াāύে āĻ•োāύো āĻ•াāϜ āύেāχ।"  āĻāϏāĻŦ āĻ­িāϤ্āϤিāĻšীāύ āĻ…āĻ­িāϝোāĻ— āĻ•āϰে āĻŽূāϞāϤ āĻ•্āϝাāĻĄাāϰ āĻļিāĻ•্āώāĻ•āĻĻেāϰ āϚāϞāĻŽাāύ āύ্āϝা⧟āϏāĻ™্āĻ—āϤ āφāύ্āĻĻোāϞāύ āĻ“ āĻĻাāĻŦিāϏāĻŽূāĻšāĻ•ে āĻ­িāύ্āύāĻ–াāϤে āĻĒ্āϰāĻŦাāĻšিāϤ āĻ•āϰাāϰ āĻāĻ• āϏুāĻĻূāϰāĻĒ্āϰāϏাāϰী āωāĻĻ্āĻĻেāĻļ্āϝ āϰ⧟েāĻ›ে। āϚāĻ•্āϰাāύ্āϤāĻ“ āĻŦāϟে।

āĻ“ā§ŸাāĻĻুāĻĻ āĻ–াāύ
āĻĒ্āϰāĻ­াāώāĻ•, āχংāϰেāϜি
āϏāĻĻāϰāĻĒুāϰ āϏāϰāĻ•াāϰি āĻ•āϞেāϜ, āĻĢāϰিāĻĻāĻĒুāϰ
ā§Ļā§§ā§­ā§Žā§Ģ-ā§Ģā§Ŧ⧍ā§Ļā§Žā§Ļ
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Idioms & Phrases (From 1st BCS to 35th BCS)


ā§§। ABC-āĻĒ্āϰাāĻĨāĻŽিāĻ• āϜ্āĻžাāύ [31st BCS Written]
⧍। All in-āĻĒāϰিāĻļ্āϰাāύ্āϤ [17th BCS Written]
ā§Š। A round dozen-āĻĒূāϰ্āĻŖ āĻĄāϜāύ āĻŦা ⧧⧍āϟি [14th BCS Written]
ā§Ē। An apple of discord-āĻŦিāĻŦাāĻĻেāϰ āĻŦিāώ⧟ [32nd BCS Written]
ā§Ģ। As though-āϝেāύ [29th BCS Written]
ā§Ŧ। At a loss-āĻšāϤāĻŦুāĻĻ্āϧি [28th BCS Written]
ā§­। A castle in the air-āφāĻ•াāĻļāĻ•ুāĻŽুāϏ āĻ•āϞ্āĻĒāύা [11th BCS Written]
ā§Ž। A man of letters-āĻĒāύ্āĻĄিāϤ āĻŦ্āϝāĻ•্āϤি [32nd BCS Written]
⧝। A man of straw-āĻĻুāϰ্āĻŦāϞāϚিāϤ্āϤেāϰ āϞোāĻ• [11th BCS Written]
ā§§ā§Ļ। A square pig in a round whole-āĻ…āύুāĻĒāϝুāĻ•্āϤ [18th BCS Written]
ā§§ā§§। After one’s own heart-āĻŽāύেāϰ āĻŽāϤো [25th BCS Written]
⧧⧍। An axe to grind-āϏāĻŽ্āĻĒৃāĻ•্āϤāϤাāϰ āĻŦ্āϝāĻ•্āϤিāĻ—āϤ āĻ•াāϰāĻŖ [24th BCS Written]
ā§§ā§Š। At arm’s length-āύিāϰাāĻĒāĻĻ āĻĻূāϰāϤ্āĻŦ [21st BCS Written]
ā§§ā§Ē। Benefit of the doubt-āϏāύ্āĻĻেāĻšাāĻŦāϏāϰ [15th BCS Written]
ā§§ā§Ģ। Burning question-āĻ—ুāϰুāϤ্āĻŦāĻĒূāϰ্āĻŖ āĻŦিāώ⧟ [28th BCS Written]
ā§§ā§Ŧ। By dint of-āĻŦāĻĻৌāϞāϤে [17th BCS Written]
ā§§ā§­। By fits and starts-āĻ…āύি⧟āĻŽিāϤāĻ­াāĻŦে [22nd & 31st BCS Written]
ā§§ā§Ž। Bring to pass-āĻ•োāύ āĻ•িāĻ›ু āϘāϟা [27th BCS Written]
⧧⧝। Bolt from the blue-āĻŦিāύা āĻŽেāϘে āĻŦāϜ্āϰāĻĒাāϤ [29th BCS Written]
⧍ā§Ļ। Bottom line-āϏāĻŦāϚে⧟ে āĻ—ুāϰুāϤ্āĻŦāĻĒূāϰ্āĻŖ āĻŦিāώ⧟ [15th BCS Written]
⧍⧧। Black and blue-āύিāϰ্āĻŽāĻŽāĻ­াāĻŦে [TEO -2015]
⧍⧍। Black sheep-āĻ•ুāϞাāĻ™্āĻ—াāϰ [32nd BCS Written]
ā§¨ā§Š। Cry in the wilderness-āĻ…āϰāĻŖ্āϝে āϰোāĻĻāύ [22nd BCS Written]
⧍ā§Ē। Call to mind-āϏ্āĻŽāϰāĻŖ āĻ•āϰা [33rd BCS]
⧍ā§Ģ। Come to terms-āϐāĻ•āĻŽāϤ্āϝে āĻĒৌāĻ›া [20th & 31st BCS Written]
⧍ā§Ŧ। Cast aside-āĻŦাāϤিāϞ āĻ•āϰা [24th BCS Written]
⧍⧭। Draw the line-āϏীāĻŽাāϰেāĻ–া āύিāϰ্āϧাāϰāĻŖ āĻ•āϰা [21st BCS Written]
ā§¨ā§Ž। Dilly dally-āϏāĻŽā§Ÿ āĻ…āĻĒāϚ⧟ [20th BCS]
⧍⧝। Dog days-āϏāĻŦāϚে⧟ে āĻ—āϰāĻŽেāϰ āĻĻিāύ [14th BCS]
ā§Šā§Ļ। Day after day-āĻĻিāύেāϰ āĻĒāϰ āĻĻিāύ [32th BCS Written]
ā§Šā§§। Down to earth-āĻŦাāϏ্āϤāĻŦিāĻ• [TEO -2015]
ā§Šā§¨। Eat humble pie-āĻ…āĻĒāĻŽাāύ āĻšāϜāĻŽ āĻ•āϰে āĻ•্āώāĻŽা āϚাāĻ“ā§Ÿা [18th BCS Written]
ā§Šā§Š। End in smoke-āĻŦ্āϝāϰ্āĻĨāϤা⧟ āĻĒāϰ্āϝāĻŦāϏিāϤ āĻšāĻ“ā§Ÿা [31st BCS Written]
ā§Šā§Ē। Few and far between-āĻ•āĻĻাāϚিāϤ [31st BCS Written]
ā§Šā§Ģ। Flesh and blood-āϰāĻ•্āϤāĻŽাংāϏেāϰ āĻĻেāĻš [21st BCS Written]
ā§Šā§Ŧ। For good-āϏ্āĻĨা⧟ীāĻ­াāĻŦে [TEO-2015]
ā§Šā§­। Fool’s paradise-āĻŦোāĻ•াāϰ āϏ্āĻŦāϰ্āĻ— [28th BCS Written]
ā§Šā§Ž। Fresh blood-āύāϤুāύ āϏāĻ­্āϝ [29th BCS Written]
ā§Šā§¯। Gift of the gab-āĻŦাāĻ—্āύিāϤা [27th BCS Written]
ā§Ēā§Ļ। Get along-āĻ•াāϰো āϏাāĻĨে āϏুāϏāĻŽ্āĻĒāϰ্āĻ• āĻĨাāĻ•া [27th BCS Written]
ā§Ēā§§। Give in-āĻŦāĻļ্āϝāϤা āϏ্āĻŦীāĻ•াāϰ āĻ•āϰা [13th BCS Written]
ā§Ē⧍। Half a chance-āϏাāĻŽাāύ্āϝ āϏুāϝোāĻ— [21st BCS Written]
ā§Ēā§Š। Hand in glove-āϘāύিāώ্āĻ  [23rd BCS Written]
ā§Ēā§Ē। Hold water-āĻĒāϰীāĻ•্āώা⧟ āϟিāĻ•ে āĻĨাāĻ•া [11th BCS]
ā§Ēā§Ģ। Heart and soul-āϏāϰ্āĻŦাāύ্āϤāĻ•āϰāĻŖে [32nd BCS Written]
ā§Ēā§Ŧ। In cold blood-āĻ াāύ্āĻĄা āĻŽাāĻĨা⧟ [14th BCS & 15th BCS Written]
ā§Ēā§­। In case-āϝāĻĻি [29th BCS Written]
ā§Ēā§Ž। In addition to-āĻ…āϧিāĻ•āύ্āϤু [25th BCS Written]
ā§Ē⧝। In order that-āϝাāϤে [25th BCS Written]
ā§Ģā§Ļ। In black and white-āϞিāĻ–িāϤāĻ­াāĻŦে [11th BCS Written]
ā§Ģā§§। Kith and kin-āφāϤ্āĻŽী⧟ [āϏāĻšāĻ•াāϰী āϰাāϜāϏ্āĻŦ āĻ•āϰ্āĻŽāĻ•āϰ্āϤা-⧍ā§Ļā§§ā§Ģ]
ā§Ģ⧍। Look forward to-āĻ­াāϞো āĻ•িāĻ›ু āφāĻļা āĻ•āϰা [29th BCS Written]
ā§Ģā§Š। Let loose-āĻŦāϞ্āĻ—াāĻšীāύāĻ­াāĻŦে āĻ›ে⧜ে āĻĻে⧟া [21st BCS Written]
ā§Ģā§Ē। Make a case-āϝুāĻ•্āϤি āĻĻেāĻ–াāύো [21st BCS Written]
ā§Ģā§Ģ। Make hay while the sun shines-āĻোāĻĒ āĻŦুāĻে āĻ•োāĻĒ āĻŽাāϰা [24th BCS Written]
ā§Ģā§Ŧ। Maiden speech-āĻĒ্āϰāĻĨāĻŽ āĻŦāĻ•্āϤৃāϤা [23rd, 26th, 34th BCS Written]
ā§Ģā§­। Make up one’s mind-āĻŽāύāϏ্āĻĨিāϰ āĻ•āϰা [29th BCS Written]
ā§Ģā§Ž। Make good-āĻ•্āώāϤিāĻĒূāϰāĻŖ āĻ•āϰা [24th BCS Written]
ā§Ģ⧝। Null and void-āĻŦাāϤিāϞ [32nd BCS Written]
ā§Ŧā§Ļ। Out of the question-āĻ…āϏāĻŽ্āĻ­āĻŦ [15th BCS Written]
ā§Ŧā§§। Out and out-āϏāĻŽ্āĻĒূāϰ্āĻŖāϰুāĻĒে [11th, 26th BCS Written]
ā§Ŧ⧍। Open secret-āϝে āĻ—োāĻĒāύ āϏāϰ্āĻŦāϜāύ āĻŦিāĻĻিāϤ [28th BCS Written]
ā§Ŧā§Š। Pick a quarrel with-āĻāĻ—ā§œা āĻŦাāϧাāύো [24th BCS Written]
ā§Ŧā§Ē। Pros and cons-āĻ–ুāϟিāύাāϟি [31st BCS Written]
ā§Ŧā§Ģ। Put heads together-āĻāĻ•āĻŽāϤ āĻšāĻ“ā§Ÿা; āĻāĻ•āϤ্āϰে āĻŦāϏে āĻĒāϰাāĻŽāϰ্āĻļ āĻ•āϰা [24th BCS Written]
ā§Ŧā§Ŧ। Pass away-āĻŽাāϰা āϝাāĻ“ā§Ÿা [33rd BCS]
ā§Ŧā§­। Put up with-āϏāĻš্āϝ āĻ•āϰা [15th, 31st, 33rd BCS Written]
ā§Ŧā§Ž। Raise one’s eyebrow-āϚোāĻ– āĻ•āĻĒাāϞে āĻ“āĻ া, āĻŦিāϏ্āĻŽিāϤ āĻšāĻ“ā§Ÿা [32nd BCS]
ā§Ŧ⧝। Red handed-āĻšাāϤে āύাāϤে [28th BCS Written]
ā§­ā§Ļ। Rank and file-āϏাāϧাāϰāĻŖ āϏৈāύিāĻ•b[22nd BCS Written]
ā§­ā§§। Spare no pains-āϝāĻĨাāϏাāϧ্āϝ āϏāĻŦ āĻ•িāĻ›ু āĻ•āϰা [24th BCS Written]
⧭⧍। Swan song-āĻļেāώ āĻ•āϰ্āĻŽ [23rd BCS]
ā§­ā§Š। Soft soap-āϤোāώাāĻŽোāĻĻ āĻ•āϰা [14th BCS]
ā§­ā§Ē। Sorry figure-āĻ•ৃāϤিāϤ্āĻŦ āĻĻেāĻ–াāϤে āύা āĻĒাāϰা [27th BCS Written]
ā§­ā§Ģ। Tell upon-āĻ•্āώāϤি āĻ•āϰা [25th BCS Written]
ā§­ā§Ŧ। Three score-āώাāϟ [16th BCS]
ā§­ā§­। Through and through-āϏāĻŽ্āϝāĻ•āĻ­াāĻŦে [17th BCS Written]
ā§­ā§Ž। To smell a rat-āϏāύ্āĻĻেāĻš āĻ•āϰা [21st BCS Written]
⧭⧝। Take a fancy to-āĻ­াāϞো āϞাāĻ—া [27th BCS Written]
ā§Žā§Ļ। Take into account-āĻŦিāĻŦেāϚāύা āĻ•āϰা [33rd BCS]
ā§Žā§§। Through thick and thin-āĻŦিāĻĒāĻĻে āφāĻĒāĻĻে āϏāĻŦ āĻ…āĻŦāϏ্āĻĨাāϤেāχ [27th BCS]
ā§Žā§¨। To do away with-āϤ্āϝাāĻ— āĻ•āϰা [36th BCS]
ā§Žā§Š। Turn over a new leaf-āύāϤুāύ āĻ…āϧ্āϝা⧟েāϰ āϏূāϚāύা āĻ•āϰা [14th BCS]
ā§Žā§Ē। To end in smoke-āĻŦ্āϝāϰ্āĻĨāϤা⧟ āĻĒāϰ্āϝāĻŦāϏিāϤ āĻšāĻ“ā§Ÿা [31st BCS]
ā§Žā§Ģ। To get along with-āĻ•াāϰো āϏাāĻĨে āϏুāϏāĻŽ্āĻĒāϰ্āĻ• āĻĨাāĻ•া [28th BCS]
ā§Žā§Ŧ। To meet trouble half way-āĻšāϤāĻŦুāĻĻ্āϧি āĻšāĻ“ā§Ÿা [14th BCS]
ā§Žā§­। Up and doing-āωāĻ ে āĻĒ⧜ে āϞাāĻ—া [20th BCS Written]
ā§Žā§Ž। With a good grace-āϏাāύāύ্āĻĻে [17th BCS Written]
ā§Žā§¯। With a view to-āωāĻĻ্āĻĻেāĻļ্āϝে [13th BCS Written]
⧝ā§Ļ। Worth one’s while-āϝāĻĨাāϰ্āĻĨ āĻŽূāϞ্āϝ āĻĻে⧟া [20th BCS Written]
⧝⧧। White elephant-āĻ•াāϜে āφāϏে āύা āĻ…āĻĨāϚ āĻĻাāĻŽি āĻ“ āĻ…āϏুāĻŦিāϧাāϜāύāĻ• [10th, 26th BCS]

Collected by Wadud Khan
Lecturer, English 
Sadarpur Govt College
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"āϏ্āϰāώ্āϟা āĻ•ি āφāĻ›ে? āϏ্āϰāώ্āϟা āĻ•ি āύেāχ?"- āφāĻĻিāĻŽāϤāĻŽ āĻĒ্āϰāĻļ্āύ

āφāϚ্āĻ›া, āĻŽাāύুāώ āĻŽāϰাāϰ āĻĒāϰে āĻ•ী āĻšā§Ÿ?
āφāĻĻিāĻŽāϤāĻŽ āĻāχ āĻĒ্āϰāĻļ্āύেāϰ āωāϤ্āϤāϰেāϰ āĻ–োঁāϜে āύিāϰāύ্āϤāϰ āĻ›ুāϟে āϚāϞেāĻ›ে āϏৃāώ্āϟিāϰ āϏেāϰা āϜীāĻŦ āĻŽাāύুāώ। āϏৃāώ্āϟি āϞāĻ—্āύ āĻĨেāĻ•েāχ। āĻ•েāω āĻ­াāĻŦে- āĻŽāϰাāϰ āĻĒāϰে āĻŽাāύুāώ āĻ—āϞে āϝা⧟, āĻĒঁāϚে āϝা⧟, āϜৈāĻŦ āϏাāϰ āĻšā§Ÿ। āĻŽাāύুāώ āĻŦেঁāϚে āĻĨাāĻ•ে āĻ…āύ্āϝ āĻŽাāύুāώেāϰ āĻ…āύ্āϤāϰে। āϤাāĻĻেāϰ āĻ•াāϜেāϰ āĻ•াāϰāĻŖে āύাāĻŽāϟা āĻĒে⧟ে āϝা⧟ āĻ…āĻŽāϰāϤ্āĻŦ। āĻ•িāύ্āϤু āĻŦ্āϝāĻ•্āϤি āĻŽাāύুāώāϟিāϰ āĻ•ী āĻšā§Ÿ? āĻ•োāĻĨা⧟ āĻšাāϰি⧟ে āϝা⧟ āϏে? āϏে āĻ•ি āφāϰ āĻ•āĻ–āύো āϜāύ্āĻŽ āύে⧟? āϝাāϰা āϜāύ্āĻŽাāύ্āϤāϰেāϰ āĻŽিāĻĨে (myth) āĻŦিāĻļ্āĻŦাāϏ āĻ•āϰে, āϤাāϰাāĻ“ āφāĻŦাāϰ āĻāχ āĻŽা⧟াāĻŽā§Ÿ āĻĒৃāĻĨিāĻŦীāϤে āϜāύ্āĻŽ āύিāĻŦেāύ- āĻāϟা āĻĒুāϰোāĻĒুāϰি āĻŽাāύāϤে āĻĒাāϰেāύ āύা। āϏāύ্āĻĻেāĻš āϜাāĻ—ে।

āĻ•ী āĻšā§Ÿ āĻŽāϰাāϰ āĻĒāϰে?
āϏāϤ্āϝি āϏāϤ্āϝি āĻ•ি āĻŦ্āϝāĻ•্āϤিāϟি āĻāχ āĻŽāĻšাāĻŦিāĻļ্āĻŦেāϰ āϧুāϞিāĻ•āĻŖা āĻ•িংāĻŦা āϜāϞāĻ•āĻŖাāϰ āϏাāĻĨে āĻŦিāϞীāύ āĻšā§Ÿে āϝা⧟?

āĻŽāϰাāϰ āĻĒāϰে āφāĻŦাāϰ āĻ•ী āĻšā§Ÿ?
āĻāχ āĻĒ্āϰāĻļ্āύāϟা āĻŽāύেāϰ āĻ—āĻšীāύে āϜাāĻ—ে āύা āĻ…āύ্āϝ āĻ•োāύো āĻĒ্āϰাāĻŖিāϰ। āϤাāχ, āϤাāĻĻেāϰ āϚূ⧜াāύ্āϤ āϞāĻ•্āώ্āϝ- āĻ­োāĻ—, āĻ­āĻ•্āώāύ, āĻĒ্āϰāϜāύāύ। āĻ…āϤঃāĻĒāϰ āĻŽৃāϤ্āϝুāϰ āĻŽāϧ্āϝ āĻĻি⧟ে āĻ…āύāύ্āϤ āĻ…āϏীāĻŽ āĻ•াāϞেāϰ āϜāύ্āϝ āĻšাāϰি⧟ে āϝাāĻ“ā§Ÿা। āϤাāĻĻেāϰ āϜীāĻŦāύ āϚāĻ•্āϰে āϤেāĻŽāύ āĻŦৈāϚিāϤ্āϰ্āϝ āύেāχ। āϤাāϰা āĻŦিāĻ•āĻļিāϤ āĻšā§Ÿ āύা। āϚিāύ্āϤা āĻ•āϰāĻŦাāϰ āĻāχ āĻŦিāϏ্āĻŽā§ŸāĻ•āϰ āĻ•্āώāĻŽāϤাāĻ“ āϤাāĻĻেāϰ āĻāϤāϟা āύেāχ। āĻ āĻ•াāϰāĻŖে āĻ—āϰু, āĻŦাāĻ›ুāϰ, āĻ­ে⧜া, āĻŦāϰāĻ•ি, āĻšাঁāϏ, āĻŽুāϰāĻ—ি- āĻ“āϰা āĻŽাāύুāώ āύাāĻŽāĻ• āĻāχ āϜāϟিāϞ āĻĒ্āϰাāĻŖি āĻĨেāĻ•ে āĻ…āϧিāĻ• āύিāĻļ্āϚিāύ্āϤ āĻ“ āϏুāĻ–ী। āϝāĻĻিāĻ“ āĻļিāĻŽ্āĻĒাāĻž্āϜি, āĻŦাāύāϰ, āĻšāύুāĻŽাāύ āĻ•িংāĻŦা āĻĄāϞāĻĢিāύেāϰ āĻŦুāĻĻ্āϧি āφāĻ›ে āĻŦāϞা āĻšā§Ÿ- āĻŽাāύুāώেāϰ āĻŽāϤো āĻ“āϰা āĻŦিāĻ•āĻļিāϤ āĻšāϤে āĻĒাāϰেāύি। āĻĒাāϰāĻŦেāĻ“ āύা।

āĻ•ীāĻ­াāĻŦে āϏৃāώ্āϟি āĻšā§ŸেāĻ›িāϞ āĻĒৃāĻĨিāĻŦীāϰ? āϜāϞāϰাāĻļিāϰ? āĻ­ূāĻŽিāϰ? āĻĒাāĻšা⧜েāϰ? āĻĒāϰ্āĻŦāϤেāϰ? āĻ•ীāĻ­াāĻŦেāχ āĻŦা āϏৃāώ্āϟি āĻšā§ŸেāĻ›িāϞ āĻŽাāύুāώ āύাāĻŽেāϰ āĻāχ āĻŦিāϏ্āĻŽā§ŸāĻ•āϰ āĻĒ্āϰাāĻŖিāϟিāϰ?

āĻāĻ•āϟা 'āĻŦিāĻ— āĻŦ্āϝাং' āĻĨেāĻ•েāχ āĻ•ি?
āĻšāĻ াā§Ž āĻ•āϰে āĻĒৃāĻĨিāĻŦীāϤে āĻŦিāĻļাāϞ āĻāĻ•āϟ āĻļāĻŦ্āĻĻ āĻšāϞো, āφāϰ āĻাঁāĻ•ে āĻাঁāĻ•ে āĻĒ⧟āĻĻা āĻšāϞো āĻāϤ āĻāϤ āĻĒ্āϰাāĻŖিāϰ! āϤাāĻ“ āφāĻŦাāϰ āϜো⧜া⧟ āϜো⧜া⧟! āĻāϤ āĻĒ্āϰাāĻŖ āĻ•ীāĻ­াāĻŦে āϏৃāώ্āϟি āĻšāϞো?


āφāϚ্āĻ›া, āĻāχ 'āĻŦিāĻ— āĻŦ্āϝাং'- āĻāϰ āφāĻ—ে āĻ•ী āĻ›িāϞ?
āĻ•িāĻ›ুāχ āĻ•ি āĻ›িāϞ āύা?
āĻ•েāĻŦāϞ āĻ•ি āĻļূāύ্āϝāϤা āφāϰ āĻļূāύ্āϝāϤাāχ āĻ›িāϞ?
āϏেāχ āĻļূāύ্āϝāϤাāϰ āϏāĻŦāϟা āϜু⧜ে āĻ•ি āĻ•িāϚ্āĻ›ু āĻ›িāϞ āύা?

āϝāĻĻি āĻ•োāύো āĻŦাāĻš্āϝিāĻ• āĻļāĻ•্āϤি 'āĻŦিāĻ— āĻŦ্āϝাং' āϘāϟি⧟ে āĻĨাāĻ•ে- āĻ•ে āϏে āϜāύ? āĻ•ী āϤাāϰ āĻĒāϰিāϚ⧟? āĻ•েāύāχ āĻŦা āϘāϟাāϞেāϞ āĻŽāĻšা āĻŦিāϏ্āĻĢাāϰāĻŖ, āĻāϤ āĻĒ্āϰাāĻŖেāϰ āϏāĻž্āϚাāϰ, āĻāϤ āĻŦৈāϚিāϤ্āϰ?

āĻāχ āĻ•āĻ িāύ āĻ•িংāĻŦা āϏāĻšāϜ āĻĒ্āϰāĻļ্āύেāϰ āωāϤ্āϤāϰ āϝাāϰা āĻ–োঁāϜে āϤাāϰা āĻĻুāχ āĻ­াāĻ— āĻšā§Ÿে āϝা⧟- āĻ•েāω āĻ•েāω āĻŦāϞেāύ, "āϏেāχ āϤো āϏ্āϰāώ্āϟা āφāĻŽাāϰ। āϏেāχ āϏে āϜāύ, āϝিāύি āĻāχ āĻĒৃāĻĨিāĻŦীāϰ āϏāĻŦāĻ•িāĻ›ু āĻ•āϰেāĻ›ে āϏৃāϜāύ।" āĻšā§Ÿে āωāĻ ে āĻŦিāĻļ্āĻŦাāϏী āĻŽাāύāĻŦ। āϏ্āϰāώ্āϟাāϰ āĻĒāĻĻāϤāϞে āύিāϜেāĻ•ে āĻ•āϰে āĻĻে⧟ āϏāĻŽāϰ্āĻĒāĻŖ।

āφāϰেāĻ• āĻĻāϞ āĻŦāϞে, "āϏāĻŦ āĻāĻŽāύি āĻāĻŽāύি āĻšā§ŸেāĻ›ে। āϏāĻŦāχ āĻĒ্āϰāĻ•ৃāϤিāϰ āϞীāϞাāĻ–েāϞা। āψāĻļ্āĻŦāϰে āĻŦিāĻļ্āĻŦাāϏ āĻ•āϰে āĻŦোāĻ•াāϰা। āĻŽāϰাāϰ āĻĒāϰে āĻ•āϞ্āĻĒিāϤ āϏ্āĻŦāϰ্āĻ—-āύāϰāĻ•ে āĻŦিāĻļ্āĻŦাāϏ āĻ•āϰে āĻ—াāϧাāϰা।"

āφāϚ্āĻ›া, āĻŽাāύুāώ āϤো āĻāĻ•āĻĻিāύ āĻŽāϰে āϝাāĻŦে āĻāϟা āϤো āϏāϤ্āϝি।
āĻĒৃāĻĨিāĻŦীāϤে āĻ•েāω āφāϰ āĻĻ্āĻŦিāϤী⧟āĻŦাāϰ āĻĢিāϰে āφāϏেāύি, āφāϏāĻŦে āύা- āĻāϟাāĻ“ āϤো āϏāϤ্āϝি।

āĻ•োāĻĨা⧟ āϚāϞে āϝা⧟ āĻŽাāύুāώ?
āĻ•াāϰ āĻ•াāĻ›ে āϝা⧟?
āĻ•েāύ āĻāϤোāĻāϤো āĻĒ্āϰাāĻŖিāϰ āĻŽāϧ্āϝে āĻŽাāύুāώেāϰāχ āĻ•েāĻŦāϞ āĻĨাāĻ•āϞ āϝৌāĻ•্āϤিāĻ• āϚিāύ্āϤা āĻ•āϰাāϰ āĻŦিāϏ্āĻŽā§ŸāĻ•āϰ āĻ•্āώāĻŽāϤা? āĻ•েāύ āĻ•েāĻŦāϞ āĻŽাāύুāώেāϰāχ āφāĻ›ে āĻŦিāĻŦেāĻ•, āφāĻŦেāĻ—, āĻŦোāϧ?
āĻ•েāύ?
āĻ•েāύ?

āĻāχāϏāĻŦ āĻ•েāύāϰ āωāϤ্āϤāϰ āĻ–ুঁāϜāϤে āĻ—ি⧟েāĻ“ āĻ•ি āϏ্āϰāώ্āϟা⧟ āĻ…āĻŦিāĻļ্āĻŦাāϏী āĻšāĻ“ā§Ÿা āϝা⧟?

āĻ­াāĻŦো āĻŽাāύুāώ!
āĻ­াāĻŦো āϤো!

āĻ“ā§ŸাāĻĻুāĻĻ āĻ–াāύ
āϏāĻĻāϰāĻĒুāϰ, āĻĢāϰিāĻĻāĻĒুāϰ
āĻŽোāĻŦাāχāϞ: ā§Ļā§§ā§­ā§Žā§Ģ-ā§Ģā§Ŧ⧍ā§Ļā§Žā§Ļ


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āύো āĻŦিāϏিāĻāϏ, āύো āĻ•্āϝাāĻĄাāϰ (KNOW BCS, KNOW CADRE)

āĻĢেāϏāĻŦুāĻ• āĻ–ুāϞāϞেāχ āχāĻĻাāύীং āĻļিāĻ•্āώা āĻ•্āϝাāĻĄাāϰ āĻ•āϰ্āĻŽāĻ•āϰ্āϤাāĻĻেāϰ āĻĒ্āϰোāĻĢাāχāϞে āĻ•িংāĻŦা āϟাāχāĻŽāϞাāχāύে āĻāĻ•āϟি āĻŦিāĻļেāώ āϏ্āϞোāĻ—াāύ āĻĻেāĻ–া āϝাāϝ়- āϝা āφāĻŽāϜāύāϤাāϰāĻ“ āύāϜāϰ āĻ•েāĻĄ়েāĻ›ে। āϏেāϟি āĻšāϞো- NO BCS, NO CADRE- āϝাāϰ āϏāϰāϞাāϰ্āĻĨ  'āĻŦিāϏিāĻāϏ āĻ›া⧜া āĻ•্āϝাāĻĄাāϰ āύ⧟'।

āĻļিāĻ•্āώা āĻ•্āϝাāĻĄাāϰ āĻŦাāĻĻে āĻ…āĻĒāϰাāĻĒāϰ āĻ•্āϝাāĻĄাāϰ āĻ•āϰ্āĻŽāĻ•āϰ্āϤাāĻĻেāϰ āĻ…āύেāĻ•ে āĻāϤāĻĻিāύ āϜাāύāϤেāύāχ āύা- āĻāχ āĻŦিāϚিāϤ্āϰ āĻŦāĻ™্āĻ—āĻĻেāĻļে āĻŦিāϏিāĻāϏ āĻĒāϰীāĻ•্āώাāϝ় āύা āĻŦāϏেāĻ“, āύাāύা āĻĢাঁāĻ• āĻĢোāĻ•āĻĄ়ে āϰাāϤাāϰাāϤি āĻ•্āϝাāĻĄাāϰ āĻšāĻ“āϝ়া āϝাāϝ়।

NO BCS, NO CADRE āϏ্āϞোāĻ—াāύāĻ•ে āϧাāϰāĻŖ āĻ•āϰে āφāĻŽি āĻāĻ•āϟি āĻĒ্āϰোāĻĢাāχāϞ āĻĢ্āϰেāĻŽ āϤৈāϰি āĻ•āϰেāĻ›িāϞাāĻŽ- āϝা āĻŽাāϤ্āϰ āĻāĻ• āϏāĻĒ্āϤাāĻšেāϰ āĻŦ্āϝāĻŦāϧাāύে ⧍⧍ā§Ļā§Ļ āĻ•āϰ্āĻŽāĻ•āϰ্āϤা āϤাঁāĻĻেāϰ āĻĒ্āϰোāĻĢাāχāϞে āϏেāϟ āĻ•āϰেāĻ›িāϞেāύ। āĻāĻŽāύāĻ•ি āĻ…āύেāĻ• āĻ›াāϤ্āϰ, āĻĻোāĻ•াāύāĻĻাāϰ, āĻ…āύ্āϝāĻĒেāĻļাāϰ āϞোāĻ•, āĻšাāχāϏ্āĻ•ুāϞ āĻ“ āĻĒ্āϰাāχāĻŽাāϰি āϏ্āĻ•ুāϞেāϰ āĻļিāĻ•্āώāĻ•āĻ—āĻŖāĻ“ āϏেāϟি āĻŦ্āϝāĻŦāĻšাāϰ āĻ•āϰেāĻ›িāϞেāύ। āĻ…āύেāĻ•েāχ āϤāĻ–āύ āχāύāĻŦāĻ•্āϏে āϜাāύāϤে āϚাāχāϤো, "āφāϚ্āĻ›া, āύো āĻŦিāϏিāĻāϏ, āύো āĻ•্āϝাāĻĄাāϰ- āĻ•েāύ āϞিāĻ–েāύ? āĻāϰ āĻŽাāύেāχ āĻŦা āĻ•ী?" āϤাāĻĻেāϰāĻ•ে āϏংāĻ•্āώেāĻĒে āĻŦāϞāϤাāĻŽ, "KNOW BCS, KNOW CADRE. āϤাāĻšāϞেāχ āĻŦুāĻāĻŦেāύ āφāĻŽāϰা āĻ•েāύ āĻ—āϞা āĻĢাāϟিāϝ়ে āϰোāϜ āĻŦāϞāĻ›ি NO BCS, NO CADRE."

āĻ•āϝ়েāĻ• āĻŦāĻ›āϰ āφāĻ—েāϰ āϘāϟāύা। āωāϚ্āϚ āĻŽাāϧ্āϝāĻŽিāĻ• āĻĒāϰীāĻ•্āώাāϰ āĻ–াāϤা āφāύāϤে āĻļিāĻ•্āώাāĻŦোāϰ্āĻĄে āĻ—িāϝ়েāĻ›িāϞাāĻŽ। āĻ•াāĻ•āϤাāϞীāϝ়āĻ­াāĻŦে āĻĒāϰিāϚāϝ় āĻšāϝ়েāĻ›িāϞ āύāĻ—āϰāĻ•াāύ্āĻĻা āĻĨাāύাāϰ āĻāĻ• āĻŦেāϏāϰāĻ•াāϰি āĻ•āϞেāϜ āĻļিāĻ•্āώāĻ•েāϰ āϏাāĻĨে। āĻŦাāϏে āϚেāĻĒে āĻāĻ•āϏাāĻĨে āĻĢāϰিāĻĻāĻĒুāϰেāϰ āĻ­াāĻ™্āĻ—া āĻĒāϰ্āϝāύ্āϤ āĻāϏেāĻ›ি। āφāĻŽাāĻ•ে āϏে āĻ•ি āĻļ্āϰāĻĻ্āϧা! āϏিāϟ āĻ•āĻŽ āĻĨাāĻ•াāϝ় āϜোāϰ āĻ•āϰে āφāĻŽাāĻ•ে āϏিāϟে āĻŦāϏিāϝ় āϤিāύি āĻĻাঁāĻĄ়িāϝ়ে āĻ—েāϞেāύ āĻ…āύেāĻ•āĻ•্āώāĻŖ। āĻŦাāϰāĻŦাāϰ āφāĻĢāϏোāϏ āĻ•āϰāĻ›িāϞেāύ, "āϜাāύেāύ āϏ্āϝাāϰ, āĻŦিāϏিāĻāϏ āĻ•্āϝাāĻĄাāϰ āĻšāĻŦাāϰ āĻ–ুāĻŦ āϏ্āĻŦāĻĒ্āύ āĻ›িāϞ। āϤিāύāĻŦাāϰ āĻĒ্āϰিāϞিāĻŽিāύাāϰি āĻĻিāϝ়েāĻ›ি। āĻ•িāύ্āϤু āĻ­াāĻ—্āϝেāϰ āĻļিāĻ•ে āĻ›িāĻĄ়েāύি। āϞিāĻ–িāϤ āĻĒāϰীāĻ•্āώা āĻĒāϰ্āϝāύ্āϤ āϝেāϤে āĻĒাāϰিāύি। āφāĻĒāύাāĻĻেāϰāĻ•ে āĻĻেāĻ–āϞে āĻ–ুāĻŦ āĻšিংāϏে āĻšāϝ়। āĻ•āϤ্āϤ āĻŽেāϧাāĻŦী āφāĻĒāύাāϰা!" āφāĻŽি āφāύ্āϤāϰিāĻ•āĻ­াāĻŦে āϤাāĻ•ে āϜিāϜ্āĻžেāϏ āĻ•āϰāϞাāĻŽ, "āφāĻĒāύাāĻĻেāϰ āĻ•āϞেāϜে āύিāϝ়োāĻ— āĻ•ি āĻĢেāϝ়াāϰ āĻšāϝ়েāĻ›িāϞ?" āϤিāύি āϞāĻŽ্āĻŦা āĻāĻ•āϟা āĻļ্āĻŦাāϏ āĻ›েāĻĄ়ে āĻŦāϞāϞেāύ, "āĻĢেāϝ়াāϰ! āĻāχ āĻĻেāĻļে āĻŦিāϏিāĻāϏেāϰ āύিāϝ়োāĻ—āχ āĻāĻ•āϟু āĻĢেāϝ়াāϰ āφāĻ›ে। āĻ•āϞেāϜেāϰ āύিāϝ়োāĻ— āϤো āĻāĻ•āϟা āĻ­াāĻ“āϤাāĻŦাāϜি। āĻāĻŽāĻĒি, āĻŽ্āϝাāύেāϜিং āĻ•āĻŽিāϟি, āĻĄোāύেāĻļāύ- āĻ•āϤ āĻ•াāĻšিāύি।"

āϤāĻ–āύ āφāĻŽাāϰ āĻŽāύে āĻāĻ•āϟি āϏ্āĻŽৃāϤি āĻĻোāϞা āĻĻিāϞো। āφāĻŽি āϤāĻ–āύ āĻ…āύাāϰ্āϏ āĻļেāώ āĻ•āϰে āĻŽাāϏ্āϟাāϰ্āϏে āĻĒāĻĄ়āĻ›ি। āĻļিāĻ•্āώāĻ• āύিāĻŦāύ্āϧāύ āĻĒāϰীāĻ•্āώাāϝ় āĻ•ৃāϤিāϤ্āĻŦেāϰ āϏাāĻĨে āĻĒাāĻļāĻ“ āĻ•āϰেāĻ›ি। āφāĻŽাāĻ•ে āφāĻŽাāϰ āĻāĻ• āφāϤ্āĻŽীāϝ় āĻĢোāύ āĻ•āϰে āĻŦāϞāϞ, "āĻ“āϝ়াāĻĻুāĻĻ, āϤোāĻŽাāĻ•ে āĻāĻ•āϟা āĻĒ্āϰāĻ•্āϏি āĻĻিāϤে āĻšāĻŦে।" 'āĻĒ্āϰāĻ•্āϏি' āĻļāĻŦ্āĻĻāϟা āĻļুāύে āĻ…āĻŦাāĻ• āĻšāϝ়েāĻ›িāϞাāĻŽ। āĻĒāϰে āωāύি āφāĻŽাāĻ•ে āĻŦুāĻিāϝ়ে āĻŦāϞāϞেāύ, "āĻšāϝ়েāĻ›ে āĻ•ি, āĻāĻ•āϟা āĻ•āϞেāϜে āϝোāĻ—āĻĻাāύেāϰ āϜāύ্āϝ āĻĒাঁāϚ āϞāĻ•্āώ āϟাāĻ•াāϰ āϚুāĻ•্āϤি āĻ•āϰেāĻ›ি। āĻ•āĻŽāĻĒāĻ•্āώে āϤিāύāϜāύেāϰ āφāĻŦেāĻĻāύ āĻ•āϰāϤে āĻšāϝ়। āφāĻŽি āφāĻ›ি, āφāϰেāĻ•āϜāύāĻ•ে āϰেāĻĄি āĻ•āϰেāĻ›ি, āφāϰ āϤুāĻŽি āĻšāϞে āϤিāύāϜāύ āĻšāϝ়। āϏāĻŦāχ āϏ্āϟেāϜ āĻŽ্āϝাāύেāϜāĻĄ। āĻĒāϰীāĻ•্āώাāϰ āĻĢি, āĻ–āϰāϚ, āĻ–াāĻ“āϝ়া-āĻĻাāĻ“āϝ়া- āϏāĻŦ āφāĻŽাāϰ।"

āϏেāχ āϝোāĻ—āĻĻাāύ āύাāϟāĻ•েāϰ āĻŽāĻž্āϚাāϝ়āύ, āĻĻৃāĻļ্āϝাāϝ়āύ, āύিāĻ–ুঁāϤ āĻ…āĻ­িāύāϝ়- āĻāĻ–āύো āĻŽাāύāϏāĻĒāϟে āĻ­াāϏে। 

āϏেāĻĻিāύ āϰাāϤে āϟাāĻ™্āĻ—াāχāϞ āĻĒুāϰাāϤāύ āĻŦাāϏ āϏ্āϟ্āϝাāύ্āĻĄে āĻŦāϏে āϞাāϞ āϚা āĻ–াāϚ্āĻ›িāϞাāĻŽ। āφāĻŽাāϰ āĻĒāϰিāϚিāϤ āĻāĻ• āϰাāϜāύৈāϤিāĻ• āύেāϤা- āφāĻŽাāĻ•ে āĻĻেāĻ–ে āĻšাāϏি āĻšাāϏি āĻŽুāĻ– āĻ•āϰে āĻŦāϞāϞ, "āĻĻāĻļ āϞাāĻ– āϟাāĻ•া āĻ–āϰāϚ āĻ•āϰে āĻŦāωāĻ•ে āφāĻĒāύাāĻĻেāϰ āĻŽāϤো āĻ•্āϝাāĻĄাāϰ āĻŦাāύিāϝ়ে āĻĻিāϞাāĻŽ।" āĻŦিāϏ্āϤাāϰিāϤ āϜাāύāϤে āϚাāχāϞে āĻŦāϞāϞ, "āϤিāύ āĻŦāĻ›āϰ āφāĻ—ে āĻĻāĻļ āϞাāĻ– āϟাāĻ•া āĻĄোāύেāĻļāύ āĻĻিāϝ়ে āĻŦাāϏাāχāϞ āĻŽāĻšিāϞা āĻ•āϞেāϜে āĻŦāωāĻ•ে āĻĸুāĻ•িāϝ়ে āĻĻিāϞাāĻŽ। āĻāĻ–āύ āϤো āϏেāϟা āϏāϰāĻ•াāϰিāĻ•āϰāĻŖেāϰ āϤাāϞিāĻ•াāϝ়। āĻļুāύāĻ›ি āĻ“āϰাāĻ“ āύাāĻ•ি āĻ•্āϝাāĻĄাāϰ āĻŽāϰ্āϝাāĻĻা āĻĒাāĻŦে।" āφāĻŽি āĻŽāϜা āĻ•āϰে āĻŦāϞāϞাāĻŽ, "āĻĻাāĻĻা, āφāĻĒāύি āĻšāϞেāύ āϰাāϜāύীāϤিāϰ āĻ•্āϝাāĻĄাāϰ, āφāϰ āĻŦāω āĻšāϚ্āĻ›ে āĻļিāĻ•্āώা āĻ•্āϝাāĻĄাāϰ- āϏāĻŦাāχ āĻ•্āϝাāĻĄাāϰ- āĻšা-āĻšা-āĻšা।" 

āĻĒāϰীāĻ•্āώা āύা āĻĻিāϝ়ে āĻŽোāĻŦাāχāϞ  āϟাāĻ“ā§Ÿাāϰ āĻ•িংāĻŦা āĻāϟিāĻāĻŽ āĻŦুāĻĨেāϰ āĻ—াāϰ্āĻĄ āĻšāĻ“āϝ়া āĻ āĻĻেāĻļে āύা āĻ—েāϞেāĻ“, āĻļিāĻ•্āώা āĻ•্āϝাāĻĄাāϰ āĻšāĻ“āϝ়া āϝাāϝ়। āĻ•াāϰāĻ“ āĻĻৃāώ্āϟি āĻāĻĻিāĻ•ে āύেāχ।

āϝাāĻšোāĻ•, āĻ•িāĻ›ুāĻĻিāύ āĻĒāϰ, āϏেāχ āύāĻ—āϰāĻ•াāύ্āĻĻাāϰ āχংāϰেāϜি āϏ্āϝাāϰেāϰ āĻĢোāύ āĻĒেāϝ়েāĻ›িāϞাāĻŽ। āωāϚ্āĻ›্āĻŦāϏিāϤ āĻ•āĻŖ্āĻ ে āĻ“āύি āφāĻŽাāĻ•ে āϜাāύাāϞেāύ," āϏ্āϝাāϰ, āφāĻŽাāĻĻেāϰ āĻ•āϞেāϜ āϤো āϏāϰāĻ•াāϰি āĻšāϝ়ে āĻ—েāĻ›ে। āφāĻŽāϰাāĻ“ āĻāĻ–āύ āϞিāĻ–āĻŦ- āĻŦিāϏিāĻāϏ āϏাāϧাāϰāĻŖ āĻļিāĻ•্āώা। āφāϚ্āĻ›া āϏ্āϝাāϰ, āϏāϤ্āϝাāϝ়িāϤ āĻ•āϰাāϰ āĻāĻ•āϟা āϏিāϞ āĻŦাāύাāϤে āĻ•āϤ āĻ–āϰāϚ āĻĒāĻĄ়āĻŦে? āχংāϰেāϜিāϤে āĻŦাāύাāĻŦো āύাāĻ•ি āĻŦাংāϞাāϝ়?" āφāĻŽি āύিāϰ্āĻŦাāĻ• āĻšāϝ়ে āĻļুāύে āϝাāϚ্āĻ›িāϞাāĻŽ। āĻļুāϧু āĻŦāϞāϞাāĻŽ, "āφāĻĒāύাāϰা āϏāϤ্āϝিāχ āϞাāĻ•ি āĻ—ো!"

āĻāϤāĻ•্āώāĻŖ āφāϞোāϚāύা āĻļোāύাāϰ āĻĒāϰ āφāĻļাāĻ•āϰি āĻŦিāϜ্āĻž āĻĒাāĻ āĻ• āĻŦুāĻāϤে āĻĒেāϰেāĻ›েāύ- "āĻāχ āĻĻেāĻļে āĻŦিāϏিāĻāϏ āϜিāύিāϏāϟা āĻ•ী? āφāϰ āĻ•্āϝাāĻĄাāϰāχ āĻŦা āĻ•ী ?"

āĻ•্āϝাāĻĄাāϰ āĻšāĻ“āϝ়াāϰ āĻāĻŽāύ āϏāϏ্āϤা āĻ“ āϜāύāĻĒ্āϰিāϝ় āĻĒāĻĨ āĻĒৃāĻĨিāĻŦীāϰ āφāϰ āĻ•োāĻĨাāĻ“ āĻ•ি āφāĻ›ে ?

āĻ“āϝ়াāĻĻুāĻĻ āĻ–াāύ 
āĻ•āĻŦি āĻ“ āĻ•āĻĨাāĻļিāϞ্āĻĒী 
āϏāĻĻāϰāĻĒুāϰ, āĻĢāϰিāĻĻāĻĒুāϰ 
ā§§ā§­ āύāĻ­েāĻŽ্āĻŦāϰ, ⧍ā§Ļā§§ā§­  
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Phrases & Idioms for BCS exam (From 10th BCS to 35th BCS)


āϝেāĻ•োāύো āϚাāĻ•āϰি-āĻĒāϰীāĻ•্āώা⧟ Phrases and Idioms āĻāĻ•āϟি āĻ—ুāϰুāϤ্āĻŦāĻĒূāϰ্āĻŖ āĻŦিāώ⧟। āĻ•াāϰāĻŖ āĻĒ্āϰা⧟ āĻĒ্āϰāϤিāϟি āĻĒāϰীāĻ•্āώা⧟āχ ⧍-ā§Ģ āĻŽাāϰ্āĻ•āϏ āĻāχ āϟāĻĒিāĻ•ে āĻŦāϰাāĻĻ্āĻĻ āĻĨাāĻ•ে। āϤাāĻšāϞে āφāϏুāύ, āϏāĻšāϜে Idiom āĻāĻŦং Phrase āĻāϰ āĻĒাāϰ্āĻĨāĻ•্āϝ āϜেāύে āύিāχ।



Idiot āϝেāĻŽāύ āĻ•āĻĨা āĻļুāύāϤে āϚা⧟ āύা Idiom-āĻ“ āϤেāĻŽāύি। Idiom-āĻāϰ āĻ•্āώেāϤ্āϰে āĻļāĻŦ্āĻĻেāϰ āφāĻ•্āώāϰিāĻ• āĻ…āϰ্āĻĨ āĻšā§Ÿ āĻāĻ•āϰāĻ•āĻŽ āĻ•িāύ্āϤু āϤাāϰ āĻ­াāĻŦাāϰ্āĻĨ āĻšā§Ÿ āĻ­িāύ্āύāϰāĻ•āĻŽ। āϝেāĻŽāύ: A black sheep āĻāϰ āφāĻ•্āώāϰিāĻ• āĻ…āϰ্āĻĨ āĻšāϚ্āĻ›ে āĻāĻ•āϟি āĻ•াāϞো āĻ­ে⧜া। āĻ•িāύ্āϤু, āĻāϰ āĻ­াāĻŦাāϰ্āĻĨ āĻšāϞো āĻ•ুāϞাāĻ™্āĻ—াāϰ


āĻ•িāύ্āϤু Phrase āĻ“āϰāĻ•āĻŽ āύ⧟। Phrase āĻāϰ āĻ…āϰ্āĻĨ āχংāϰেāϜি āĻļāĻŦ্āĻĻāϟাāϰ āϏাāĻĨে āφāĻ•্āώāϰিāĻ• āĻ…āϰ্āĻĨেāϰ āĻŽোāϟাāĻŽুāϟি āĻŽিāϞ āĻĨাāĻ•ে। āϝেāĻŽāύ: In the morning āĻāĻ•āϟি Phrase āϝাāϰ āϏāϰāϞাāϰ্āĻĨ āĻšāϚ্āĻ›ে āϏāĻ•াāϞে। āĻ•োāύো āϜāϟিāϞāϤা āύেāχ।

The meaning of an idiom is not directly linked to the individual words. But the meaning of an phrase is directly linked to the individual words. 
āωāĻĻাāĻšāϰāĻŖ āĻšিāϏেāĻŦে āĻŦāϞা āϝা⧟, raining cats and dogs- āĻāĻ•āχ āϏাāĻĨে Idiom āĻāĻŦং Phrase.


āĻ•িāύ্āϤু, A herd of cats- āĻļুāϧুāχ āĻāĻ•āϟি Phrase.

āϏāĻ•āϞ Idiom-āχ Phrase āĻ•িāύ্āϤু āϏāĻ•āϞ Phrase-āχ Idiom āύ⧟...



āϝাāĻšোāĻ•, āĻ āĻĒāϰ্āϝা⧟ে ā§§ā§ĻāϤāĻŽ āĻŦিāϏিāĻāϏ āĻĨেāĻ•ে ā§Šā§Ģ āϤāĻŽ āĻŦিāϏিāĻāϏ āĻĒāϰ্āϝāύ্āϤ āϞিāĻ–িāϤ āĻĒāϰীāĻ•্āώা⧟ āφāϏা Phrases and Idioms-āĻ—ুāϞো āĻāĻ•āϤ্āϰ āĻ•āϰে āĻŦাংāϞা āĻ…āϰ্āĻĨāϏāĻš āϤুāϞে āϧāϰāĻ›ি।

Get away with (āϧāϰা āύা āĻĒ⧜ে āĻ…āύ্āϝা⧟ āĻ•িāĻ›ু āĻ•āϰা),
Pot luck (āĻ–াāĻ“ā§Ÿাāϰ āϝা āĻ•িāĻ›ু āφāĻ›ে),
A trying time (āĻĻুঃāϏāĻŽā§Ÿ),
Caught on (āφāĻ•্āϰাāύ্āϤ āĻšāĻ“ā§Ÿা),
Taken in (āύি⧟āύ্āϤ্āϰিāϤ),
At stake (āĻŦিāĻĒāĻĻাāĻĒāύ্āύ),
Took a fancy to (āĻĒāĻ›āύ্āĻĻ),
Broke out (āĻĒ্āϰাāϰ্āĻĻুāĻ­াāĻŦ)।

Care for (āĻ—্āϰাāĻš্āϝ āĻ•āϰা),
Do away with (āĻšāϤ্āϝা āĻ•āϰা),
Few and far between (āĻŽাāĻে āĻŽাāĻে),
To turn the tide (āϧাāϰাāĻŦাāĻšিāϤা āĻĒāϰিāĻŦāϰ্āϤāύ āĻ•āϰে āĻĻেāĻ“ā§Ÿা), A castle in the air (āφāĻ•াāĻļ āĻ•ুāϏুāĻŽ āĻ•āϞ্āĻĒāύা),
In black and white (āϞিāĻ–িāϤāĻ­াāĻŦে),
Through thick and thin (āĻŦিāĻĒāĻĻে āφāĻĒāĻĻে āϏāĻŦ āĻ…āĻŦāϏ্āĻĨাāϤেāχ),
A man of straw (āĻĻুāϰ্āĻŦāϞ āϚিāϤ্āϤেāϰ āϞোāĻ•),
In vain (āĻŦ্āϝāϰ্āĻĨ)।



Put off (āĻ–ুāϞে āĻĢেāϞা),
Make to (āϏāύ্āϤোāώāϜāύāĻ• āύা āĻšāĻ“ā§Ÿা āϏāϤ্āϤ্āĻŦেāĻ“ āĻ•াāϜ āϚাāϞি⧟ে āϝাāĻ“ā§Ÿা),
In consonance with (āϏাāĻŽāĻž্āϜāϏ্āϝ āϰেāĻ–ে),
With a view to (āωāĻĻ্āĻĻেāĻļে),
Give in (āφāϤ্āĻŽāϏāĻŽāϰ্āĻĒāĻŖ āĻ•āϰা),
At par (āϏāĻŽাāύāĻ­াāĻŦে),
Go in for (āύিāϜেāĻ•ে āĻ•োāύ āĻ•াāϜে āύিāϝুāĻ•্āϤ āĻ•āϰা),
Owing to (āϜāύ্āϝ),
A far cry (āĻ…āϏāĻŽ্āĻ­āĻŦ āĻĒ্āϰা⧟)।

Out of question (āĻĒ্āϰāĻļ্āύাāϤীāϤ),
Look down upon (āϘৃāĻŖাāϰ āϚোāĻ–ে āĻĻেāĻ–া),
See through (āĻŦুāĻāϤে āĻĒাāϰা),
Show off (āĻ…āĻšংāĻ•াāϰ āĻ•āϰা),
Put up with (āϏāĻš্āϝ āĻ•āϰা),
Benefit of the doubt (āϏāύ্āĻĻেāĻšāĻŦāĻļāϤ),
Out and out (āϏāĻŽ্āĻĒূāϰ্āĻŖāϰূāĻĒে),
In cold blood (āϏ্āĻĨিāϰ āĻŽāϏ্āϤিāώ্āĻ•ে),
Line up to (āĻĒāĻĨ),
On one's own (āύিāϜ āĻĻা⧟িāϤ্āĻŦে)।

All for (āĻ…āϤ্āϝāύ্āϤ āĻŦ্āϝāĻ—্āϰ),
By dint of (āωāĻĒা⧟ে),
Through and Through (āϏāĻŽ্āĻĒূāϰ্āĻŖāĻ­াāĻŦে),
On the brink (āĻĒ্āϰাāύ্āϤে),
With a good grace (āϏুāύāϜāϰে),
In the wake of (āĻĒāĻļ্āϚাāϤে),
A fool's paradise (āĻŦোāĻ•াāϰ āϏ্āĻŦāϰ্āĻ—)।

To all intents and purposes (āĻŦাāϏ্āϤāĻŦিāĻ•āĻĒāĻ•্āώে),
A square pig in a round hole (āĻŦেāĻ–াāĻĒ্āĻĒা),
Swan song (āĻļেāώ āĻ•াāϜ),
Eat the humble pie (āĻ­ুāϞ āϏ্āĻŦীāĻ•াāϰ āĻ•āϰা),
Get on with (āĻ–াāĻĒ āĻ–ে⧟ে āϚāϞা),
Bear out (āωāĻ•্āϤি āϏāĻŽāϰ্āĻĨāύ āĻ•āϰা)।

With an eye to (āĻĻৃāώ্āϟি āϰেāĻ–ে),
Come to terms (āφāĻĒোāώ āĻ•āϰা),
Open secret (āϝে āĻ—োāĻĒāύ āϜিāύিāϏ āϏāĻŦাāϰāχ āϜাāύা),
Cry in the wilderness (āĻ…āϰāĻŖ্āϝে āϰোāĻĻāύ),
Gain the upper hand (āύি⧟āύ্āϤ্āϰāĻŖ āύেāĻ“ā§Ÿা),
Worth one's while (āϞাāĻ­āϜāύāĻ•),
Up and doing (āϏāĻ•্āϰি⧟ āĻšā§Ÿে)।

Make a case (āĻĻাāĻŦীāϰ āĻĒিāĻ›āύে āϝুāĻ•্āϤি āϰাāĻ–া),
Let loose (āĻ–াāϰাāĻĒ āĻ•িāĻ›ুāϰ āϏāĻŽ্āĻ­াāĻŦāύা āĻ–ুāϞে āĻĻেāĻ“ā§Ÿা),
Half a chance (āĻ•োāύ āĻ•িāĻ›ু āĻ•āϰাāϰ āϏুāϝোāĻ— āĻĻেāĻ“ā§Ÿা),
To smell a rat (āϏāύ্āĻĻেāĻš āĻ•āϰা),
Gain ground (āĻ…āĻ—্āϰāϏāϰ āĻšāĻ“ā§Ÿা),
Fresh and blood (āϰāĻ•্āϤ-āĻŽাংāϏ āĻŦা āĻŽাāύāĻŦী⧟),
At arm's length (āĻĻূāϰে),
Draw the line (āĻĒুāϰোāĻĒুāϰি āύিāώ্āĻ•্āϰি⧟ āĻ•āϰা)।

Break away (āĻĒ্āϰāĻŦāϞ āϚেāώ্āϟা⧟ āĻĒাāϞি⧟ে āϝাāĻ“ā§Ÿা),
Fall through (āĻŦ্āϝāϰ্āĻĨ āĻšāĻ“ā§Ÿা),
By fits and starts (āĻ…āύি⧟āĻŽিāϤāĻ­াāĻŦে),
A throne in one's flesh (āĻ—āϞাāϰ āĻ•াāϟা),
To throw out of gear (āĻ…āĻ•েāϜো āĻšā§Ÿে āĻĒ⧜া),
Rank and file (āϏাāϧাāϰāĻŖ āϏৈāύিāĻ•)।

Cast aside (āĻ…āĻŦāĻšেāϞা āĻ•āϰা),
Hang around (āĻুāϞি⧟ে āĻĻেāĻ“ā§Ÿা),
Hand in glove (āϘāύিāώ্āĻ ),
Throw cold water (āύিāϰুā§ŽāϏাāĻšিāϤ āĻ•āϰা),
An axe to grind (āĻ—ুāĻĒ্āϤāϏ্āĻŦাāϰ্āĻĨ āϏাāϧāύেāϰ āωāĻĻ্āĻĻেāĻļ্āϝ),
Put heads together (āύিāϜেāĻĻেāϰ āĻŽāϧ্āϝে āĻ•োāύ āĻ•িāĻ›ু āύি⧟ে āφāϞোāϚāύা āĻ•āϰা)।

Run short of (āĻļেāώ āĻšā§Ÿে āϝাāĻ“ā§Ÿা),
Spare no pains (āϚেāώ্āϟাāϰ āϤ্āϰুāϟি āύা āĻ•āϰা),
Make good (āĻ•্āώāϤিāĻĒূāϰāĻŖ āĻ•āϰা),
Pick a quarrel with (āχāϚ্āĻ›াāĻ•ৃāϤ āĻāĻ—ā§œা āĻ•āϰা),
Make hay while the sun shines (āϏুāϝোāĻ—েāϰ āϏāĻĻ্āĻŦ্āϝāĻŦāĻšাāϰ āĻ•āϰা),
Tell upon (āĻ•্āώāϤি āĻ•āϰা),
Null and void (āĻŦাāϤিāϞ)।

In order that (āĻ•াāϰāĻŖ),
So long as (āϝāϤāĻ•্āώāĻŖ),
Get along with (āĻ•াāϰো āϏাāĻĨে āĻ­াāϞো āϏāĻŽ্āĻĒāϰ্āĻ• āĻĨাāĻ•া), Turn up (āĻšাāϜিāϰ),
feel like (āĻ•োāύ āĻ•িāĻ›ু āϏāĻŽ্āĻĒāϰ্āĻ•ে āĻ…āύুāĻ­ূāϤি),
In addition to (āĻ…āϧিāĻ•āύ্āϤু)।

With might and main (āϝāĻĨাāϏাāϧ্āϝ āĻ•্āώāĻŽāϤা āϏāĻšāĻ•াāϰে), Gift of the gab (āĻŦাāĻ—্āĻŽিāϤা),
Look into (āϤāĻĻāύ্āϤ āĻ•āϰা),
To the purpose (āϝāĻĨাāϝāĻĨāĻ­াāĻŦে),
Burning issue (āφāϞোāϚ্āϝ āĻŦিāώ⧟),
Sorry figure (āĻ–াāϰাāĻĒ āĻĢāϞ)।

At a loss (āĻ•িংāĻ•āϰ্āϤāĻŦ্āϝāĻŦিāĻŽূāĻĸ়),
Laughing stock (āωāĻĒāĻšাāϏেāϰ āĻĒাāϤ্āϰ),
Red handed (āĻšাāϤেāύাāϤে āϧāϰা āĻĒ⧜া),
Burning question (āφāϞোāϚিāϤ āĻŦিāώ⧟)।

Make up one's mind (āĻŽāύāϏ্āĻĨিāϰ āĻ•āϰা),
Look forward to (āĻĒ্āϰāϤ্āϝাāĻļা āĻ•āϰা),
Fresh blood (āύāĻŦীāύ),
Fall out (āĻāϰে āϝাāĻ“ā§Ÿা),
In case of (āĻ•োāύ āĻ•িāĻ›ু āϘāϟāϞে),
As though (āϝেāύ)।

Out of date (āϏেāĻ•েāϞে),
With a high hand (āĻŦেāĻĒāϰো⧟াāĻ­াāĻŦে),
As soon as (āĻļীāϘ্āϰāχ),
Get rid of (āĻŽুāĻ•্āϤ āĻ•āϰা),
Fall flat (āĻ•াāĻ™্āĻ•্āώিāϤ āĻĢāϞ āϞাāĻ­ে āĻŦ্āϝāϰ্āĻĨ āĻšāĻ“ā§Ÿা),
Because of (āĻ•াāϰāĻŖে)।

Pros and cons (āĻĒāĻ•্āώেāϰ āĻ“ āĻŦিāĻĒāĻ•্āώেāϰ āϝুāĻ•্āϤি),
Put out (āύিāĻ­ি⧟ে āĻĻেāĻ“ā§Ÿা),
Run after (āϧাāĻ“ā§Ÿা āĻ•āϰা),
ABC (āĻĒ্āϰাāĻĨāĻŽিāĻ• āϜ্āĻžাāύ),
White elephant (āĻ…āϤ্āϝāύ্āϤ āĻŦ্āϝ⧟āĻŦāĻšুāϞ),
Look after (āϤāϤ্āϤ্āĻŦাāĻŦāϧাāύ āĻ•āϰা)।

Day after day (āĻĻিāύেāϰ āĻĒāϰ āĻĻিāύ),
Black sheep (āĻ•ুāϞাāĻ™্āĻ—াāϰ),
A man of letters (āĻĒāĻŖ্āĻĄিāϤ āϞোāĻ•),
An apple of discord (āĻŦিāĻŦাāĻĻেāϰ āĻ•াāϰāĻŖ),
Heart and soul (āϏāϰ্āĻŦাāύ্āϤāĻ•āϰāĻŖে)।

Pave the way (āϏুāĻ—āĻŽ āĻ•āϰা),
Give in (āύāϤিāϏ্āĻŦীāĻ•াāϰ āĻ•āϰা),
Turn in (āĻšāϏ্āϤাāύ্āϤāϰ āĻ•āϰা),
Black out (āĻ…āύ্āϧāĻ•াāϰে āĻĸেāĻ•ে āĻĢেāϞা),
In harness (āĻ•āϰ্āϤāĻŦ্āϝāϰāϤ āĻ…āĻŦāϏ্āĻĨা⧟),
Come of (āϜāύ্āĻŽāĻ—্āϰāĻšāĻŖ āĻ•āϰা)।

A wolf in sheep's clothing (āφāϏāϞ āϚāϰিāϤ্āϰেāϰ āĻŦিāĻĒāϰীāϤāĻŽুāĻ–ী āĻ­ূāĻŽিāĻ•া),
Helter skelter (āĻāϞোāĻŽেāϞোāĻ­াāĻŦে),
Foot the bill (āĻ…āϰ্āĻĨ āĻĒāϰিāĻļোāϧ āĻ•āϰা),
Fight shy of (āĻā§œি⧟ে āϚāϞা),
Carry the day (āϜ⧟āϞাāĻ­ āĻ•āϰা)।

Out of date (āϏেāĻ•েāϞে),
With a high hand (āĻŦেāĻĒāϰো⧟াāĻ­াāĻŦে),
As soon as (āĻļীāϘ্āϰāχ),
Get rid of (āĻŽুāĻ•্āϤ āĻ•āϰা),
Fall flat (āĻ•াāĻ™্āĻ•্āώিāϤ āĻĢāϞ āϞাāĻ­ে āĻŦ্āϝāϰ্āĻĨ āĻšāĻ“ā§Ÿা),
Because of (āĻ•াāϰāĻŖে)।

Pros and cons (āĻĒāĻ•্āώেāϰ āĻ“ āĻŦিāĻĒāĻ•্āώেāϰ āϝুāĻ•্āϤি),
Put out (āύিāĻ­ি⧟ে āĻĻেāĻ“ā§Ÿা),
Run after (āϧাāĻ“ā§Ÿা āĻ•āϰা),
ABC (āĻĒ্āϰাāĻĨāĻŽিāĻ• āϜ্āĻžাāύ),
White elephant (āĻ…āϤ্āϝāύ্āϤ āĻŦ্āϝ⧟āĻŦāĻšুāϞ),
Look after (āϤāϤ্āϤ্āĻŦাāĻŦāϧাāύ āĻ•āϰা)।

Day after day (āĻĻিāύেāϰ āĻĒāϰ āĻĻিāύ),
Black sheep (āĻ•ুāϞাāĻ™্āĻ—াāϰ),
A man of letters (āĻĒāĻŖ্āĻĄিāϤ āϞোāĻ•),
An apple of discord (āĻŦিāĻŦাāĻĻেāϰ āĻ•াāϰāĻŖ),
Heart and soul (āϏāϰ্āĻŦাāύ্āϤāĻ•āϰāĻŖে)।

Pave the way (āϏুāĻ—āĻŽ āĻ•āϰা),
Give in (āύāϤিāϏ্āĻŦীāĻ•াāϰ āĻ•āϰা),
Turn in (āĻšāϏ্āϤাāύ্āϤāϰ āĻ•āϰা),
Black out (āĻ…āύ্āϧāĻ•াāϰে āĻĸেāĻ•ে āĻĢেāϞা),
In harness (āĻ•āϰ্āϤāĻŦ্āϝāϰāϤ āĻ…āĻŦāϏ্āĻĨা⧟),
Come of (āϜāύ্āĻŽāĻ—্āϰāĻšāĻŖ āĻ•āϰা)

āϏংāĻ—্āϰāĻšে: āĻ“ā§ŸাāĻĻুāĻĻ āĻ–াāύ
āĻĒ্āϰāĻ­াāώāĻ•, āχংāϰেāϜি āĻŦিāĻ­াāĻ— 
āϏāĻĻāϰāĻĒুāϰ āϏāϰāĻ•াāϰি āĻ•āϞেāϜ, āĻĢāϰিāĻĻāĻĒুāϰ 

āϤāĻĨ্āϝāϏূāϤ্āϰ: āχāύ্āϟাāϰāύেāϟ
(link-āϟি āϏেāχāĻ­ āĻ•āϰে āϰাāĻ–ুāύ। āϧāύ্āϝāĻŦাāĻĻ)
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The difference between 'then' and 'than'....

Then = āϤāĻ–āύ/ āϤাāϰāĻĒāϰ/ āĻ…āϤঃāĻĒāϰ/ āĻ¤ā§ŽāĻ•াāϞীāύ 
āϝেāĻŽāύ:-
1. We will meet him first, then have a meal. = āφāĻŽāϰা āĻĒ্āϰāĻĨāĻŽে āϤাāϰ āϏাāĻĨে āĻĻেāĻ–া āĻ•āϰāĻŦ, āϤাāϰāĻĒāϰ āĻ–াāĻŦ।
2. I was walking alone. Then I saw a snake. = āφāĻŽি āĻāĻ•াāχ āĻšাঁāϟāĻ›িāϞাāĻŽ। āϤāĻ–āύ āĻāĻ•āϟি āϏাāĻĒ āĻĻেāĻ–āϞাāĻŽ।
3. Bangladesh fought for freedom against Pakistan. The then Pakistani government was inhuman, merciless. = āĻŦাংāϞাāĻĻেāĻļ āĻĒাāĻ•িāϏ্āϤাāύেāϰ āĻŦিāϰুāĻĻ্āϧে āϏ্āĻŦাāϧীāύāϤাāϰ āϜāύ্āϝ āϝুāĻĻ্āϧ āĻ•āϰেāĻ›িāϞ। āĻ¤ā§ŽāĻ•াāϞীāύ āĻĒাāĻ•িāϏ্āϤাāύি āϏāϰāĻ•াāϰ āĻ›িāϞ āĻ…āĻŽাāύāĻŦিāĻ•, āύিāϰ্āĻĻ⧟।



Than = āϚে⧟ে/ āϚাāχāϤে/ āĻĨেāĻ•ে/ āĻ…āĻĒেāĻ•্āώা/ āϤুāϞāύা⧟
āϝেāĻŽāύ:-
1. Jamal is taller than Kamal. = āϜাāĻŽাāϞ āĻ•াāĻŽাāϞেāϰ āϚে⧟ে āϞāĻŽ্āĻŦা।
2. It was no other than my old friend Mithu. = āĻāϟা āφāĻŽাāϰ āĻĒুāϰāύো āĻŦāύ্āϧু āĻŽিāĻ ু āĻ›া⧜া āĻ•েāω āύ⧟।
3. What he has done is nothing else than foolishness. = āϏে āϝা āĻ•āϰেāĻ›ে āϏেāϟা āĻŦোāĻ•াāĻŽি āĻ›া⧜া āĻ•িāĻ›ু āύ⧟।
4. No sooner had the teacher entered the class than the students stood up. = āĻļিāĻ•্āώāĻ• āĻ•্āϞাāϏে āĻĸুāĻ•āϤে āύা āĻĸুāĻ•āϤেāχ āĻ›াāϤ্āϰāĻ›াāϤ্āϰীāϰা āωāĻ ে āĻĻাঁ⧜াāϞো।

"Then" āĻ“ "Than"-āĻāϰ āĻĒাāϰ্āĻĨāĻ•্āϝেāϰ āĻĻিāĻ•ে āĻ–ে⧟াāϞ āϰাāĻ–ুāύ...

āĻ“ā§ŸাāĻĻুāĻĻ āĻ–াāύ
āϏāĻĻāϰāĻĒুāϰ, āĻĢāϰিāĻĻāĻĒুāϰ
⧍⧧ āĻ…āĻ•্āϟোāĻŦāϰ, ⧍ā§Ļā§§ā§­
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The Season I Like Most (An Essay for the Students)

There are six seasons in Bangladesh. I like all the seasons but I like rainy season most. The rainy season is the second season of them. The Bengali months –“Ashar” and “Shraban” are called the rainy season.

Rainy season is my favorite season .
The Rainy season comes to us with many pleasant things and beautiful scenes and sounds. So I like this season for many reasons.

Scenes of The Rainy Season

It is a blessing for our country. The whole Bangladesh floats in joy at the advent of this season.

The rainy season is caused by monsoon. The south west monsoon that blows from the Bay of Bengal over Bangladesh brings much vapour. It causes heavy rainfall. As a result, the rainy season begins in Bangladesh.

People welcome the rainy season heartily. The season brings heavy rainfall. The sky becomes cloudy. Sometimes we do not see the sun for days together. Sometimes it rains cats and dogs.

Rivers, canals and ponds are filled with water. They overflow their banks. Fields go under water.

The season cools and refreshes all. It also purifies the atmosphere. A journey by boat is very interesting in this season. The roads become muddy and slippery. The rain washes our dirt. It makes our country ever green. It is also a season of fruits. Mango, black-berry, jack fruit lichies have buds on them.

Bangladesh is an agricultural country. Most of the crops depends on the rain water. Current of rain water makes our soil fertile. Men can easily go from one place to another by boat.

In the rainy season the roads become muddy and slippery. The poor and the day labourer suffer much. They cannot go out of doors for work. Cattle have to suffer much. Various diseases like cholera, typhoid, and dysentery break out. Sometimes there are floods and it washes away our crops and houses.

The rainy season is very useful to us. Bangladesh is mainly an agricultural country. Our agriculture depends on this season. Green leaves grow in trees. The cultivation of our country makes the paddy fields ready. Jute plants grow rapidly.
Our imagination becomes active by the rhythm and music of rain. Poets charmed by the beauty of the season have composed many poems.

It is a blessing to the economy of our country and the prosperity of our people. It helps the nature to gain a new life. The rainy season is the most important and useful season in our country.  It is the best of all the season in Bangladesh. We always welcome this season and enjoy its beauty.

Wadud Khan
Lecturer, English
Sadarpur Govt College, Faridpur 
01785-562080
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